katranat: (Default)

Happy New Year everyone! 


It’s that time again where I go through my favourite AMVs from the previous year, however this year I’m giving you all only one post. I’ve also not ranked the videos in any way this year, for the simple reason of I’ve not had enough time to work on this. For the last 10+ years of my life I’ve had office jobs where the company I work for essentially shuts down between Christmas and New Year so I have a lot of free time. This year I’ve ended up with a job which is not an office job and does require work over this period, and while I love my job very much, it is also quite tiring!


Instead what I’ve decided to do is I’ve put together a YouTube playlist (a bit of a cop out I know) and included every video I’ve enjoyed from 2025 on it. I’ve also done some comments/fun facts/anecdotes about each video and the playlist itself!

There are other amazing people who are still doing proper lists and write ups this year - so please check them out!


In 2025 I found myself gravitating sharply towards more unusual videos. I feel like I do this every year, but this time is more stark than normal. A lot of these are long, or thoughtful, or oddly edited, or some combination of all of those, meaning there are several videos on this playlist that I’m quite positive few people but me will enjoy.
For example; the Boruto shipping video featuring two characters who I have no idea who they are, but the video happens to use a song from a British artist who had a couple hits back in 2003 and then faded into obscurity and hardly no one else knows about them but I happen to love them.

Or the super creepy and unsettling ten minute behemoth of a Utena video featuring audio from a bizarre experimental short film, which teeters on the edge of being considered an AMV due to the dialogue, but contains just enough music for it to be included here.

There are other videos which fall into this spectrum but those two are by far the most egregious.

There are a handful of actually popular videos here, but a lot of the familiar ones which a lot of people like will not be here.


I don’t know why but in 2025 I felt even more disconnected from the hobby than I ever have been, and I think this has led to my viewing habits being super disjointed. I hardly latched onto any AMVs at all, and the ones I did latch onto; it was because they either did something new for me, or hit me in just the right way.

As such I’m kind of glad I didn’t have time to rank them, I’m not sure the result would have been meaningful in any kind of way. I have “liked” over 600 AMVs since I last made this retrospective for 2024, and I struggled to connect with most of those videos. I think the volume of them is partially to blame. It’s hard when there’s too much of a good thing it seems. 

I want to be clear I do genuinely love the videos I ended up picking for this playlist. For various different reasons they are the videos that I kept going back to and re-watching, and I hope other people might find some joy in them as well.

The majority of the editors featured are people whose work I’ve enjoyed a lot in the past and there are a couple of new faces as well.


I’m not going to do CWs or VPRs for individual videos, so some general warnings for the playlist as a whole: 


  • A lot of these videos contain violence to varying degrees and a handful contain nudity (mostly in the Evangelion AMVs). 
  • The majority of the videos have flashing and other VPR triggers.
  • “u r a bad person” specifically contains crude adult humour. 
  • Some videos also feature adult/difficult topics.

The playlist is ordered in release date of the video so you can see how my year progressed!


This playlist contains:


  • 62 AMVs
  • 3 Live action MVs
  • 2 MMVs
  • 2 GMVs
  • 1 Western animation MV

Which is a total of 70 videos. I didn’t plan for it to be a nice even number like this, it just happily worked out that way.


5 of the AMVs in this list use Madoka Magica as the source. 


The longest video is ten and half minutes while the shortest is a minute and sixteen seconds. 

The average video length is three minutes forty three seconds. 

There are 11 videos longer than five minutes, with 7 of those being longer than six minutes.


Here is the playlist: FAVE 2025

Thank you for taking the time to check these out. 


Here is a written list of the videos with some brief comments!


Bocchi The Brat [AMV] 

This was published in late 2024, it’s here though because I didn’t have time to consider it for my list last year. Supposedly this is a comedy but I find it to be sincere rather than funny.


Evangelion AMV - Remember - Miami Horror feat Tim Ayre

Super unique. Feels very refreshing for an Evangelion AMV.


Madoka Magica [AMV] - Rescue Me

I found this one only a couple months ago and have watched a ton since then. It’s such a perfect visual representation of the song. 


silent emotions speak the loudest - Yuki Nagato AMV

I think this is my most favourite perks of being an alien AMV yet.


selene

Hoo boy is this relatable.


Something Good In Me

Oh hey it’s just like me fr fr.
Seriously though, I love how this feels like such a CrackTheSky vid and it also succeeds at being elusive yet still emotionally charged.  


Terra Dea (Earth Maiden Arjuna & Sub Focus amv)

This is so nostalgic and also has such satisfying sync. 


At The Bottom Of Everything

I kinda dumped my thoughts into a YouTube comment for this one, though I’m not sure I articulated myself correctly. Oh well.


[AMV] Cynthoni - Lexapro Doesn’t Work

For whatever reason I enjoy this a lot more than “Lexapro Delirium” (and I enjoyed that one quite a bit).


Evangelion (AMV) {You Are (Not) Alone} Julia By SZA

This was a reddit find. I dunno for some reason the SZA song makes Evangelion hit a bit different. 


Fog | Magic Knight Rayearth AMV (flash warning)

Really lovely and nostalgic.


The Art of Adolescence - Mars - RICE 2025: Best Artistic Endeavor

I have vague memories of reading this manga. I love the way Seasalt has edited this. 


Y(Our) Reality (Z.O.E. Idolo & Great Good Fine Ok amv)

Some of my favourite sync this year. 


Memories | The Midnight - Belle (Ryuu to Sokubasa no Hime - Bell) & Mamoru Hosoda Tribute

Some odd editing choices here, but man do I love this, it’s so beautiful. 


[AMV] Mob's Tea Party (RICE 2025 Best in Show / Best Concept)

Silk on top form. Super silly fun. I do wonder how on earth Silk found the song and thought of the concept. 


bocchi is for losers

leolide’s making proper AMVs again. This one was my favourite of his breakcore experiments. 


american anxiety

This one’s rough and I'm someone who doesn’t even live in America. 


Metropolis Anime (2001) AMV - Someone Somewhere (In Summertime) - Simple Minds

Love GonzoZord’s editing style.


AMV JUJUTSU KAISEN - ABRACADABRA

There’s something very pure about this AMV - it’s very true to the roots of the medium. I’m also impressed it uses the music video version of the song, sounds and all. 


Flying (sky dance)

Lovely and experimental.


There's Nothing Underneath (or, The Physical Manifestation of Your Seething Anxieties)

I’m still not completely sure I’ve been able to watch this in entirety without being wholly distracted by whatever tf is going on in this anime.


u r a bad person 

This was my most viewed video of the year - which is interesting as it’s on the edge of what I would consider to be an AMV. It’s edited so much it could almost be considered an original composition rather than an AMV, but I’ve put this one on the playlist anyway. 


Spiderverse was an existential nightmare (a music video)

This kind of vibe editing using Spiderverse is such a big brain move from Vivafringe.


Sea of feelings AMV

I didn’t watch AMVs nearly as much as I usually do in 2025 and I regret not watching this one more than I have - there’s a lot in here to appreciate.


The Colours Within ft. Porter Robinson - Musician

This is quite simply the loveliest video ever made.


Glowing Gensokyo (Touhou Gensou Mangekyou & Fenech-Soler amv)

I adore this song and this AMV.


AMV Madoka Magica: Rebellion - Dark Engravings

The piano sync here is so satisfying.


Dragon Ball Z AMV - Cha Cha Cha

This does not use the Tom Cardy song as you might assume (as it’s super popular to edit with atm), but uses the Käärijä song of similar name. I would recommend not skipping this one - it’s a lot of fun.


Madoka Magika: Rebellion - Time To Dance [AMV]

I think this is the first time I’ve ever seen a Madoka AMV which is genuinely just a dance video.


Ominous Cloud [Puella Magi Madoka☆Magica AMV]

I adore the audio choice for this one.


Escape AMV  Serial Experiments Lain

Instrumental piano music with Lain is not something I’ve seen before and Legato2400’s made it extremely effective.


Find Your Colors [AMV] The Colors Within

Synæsthesia maximising this movie’s imagery in only the way he can.


Gaia In Flux (Earth Maiden Arjuna & Red Scale amv)

This is an interesting type of vibe edit from Animetrash which is neat to see.


POSSIBLY IN OHTORI

Yeah, good luck with this one. I don’t have context for the film the audio is from, and wow is it the most awkward/unhinged/creepy thing to listen to, but is also kinda interesting social commentary which 0101a has really nailed matching with Utena imagery. 


Gracie Abrams - That's So True (Madoka Magica AMV)

Love the way Magix has experimented with the editing this.


the sea and the stars will be there, waiting - multi anime amv

perks of being an alien is a master at creating a certain mood with their editing.


365 (Remix)

sailormoonfreak casually picking the best anime for this song. 


❤️Under The Thumb💔 Jigen x Amado Boruto Amv

Jigen and Amado I don’t know who you are, but I adore that your supposedly problematic (and completely non-existent in canon from what I understand) relationship has been documented by xoxAvery using an Amy Studt song. chefs kiss


BLUSH (Pop Step Tribute) - My Hero Academia Vigilantes AMV

This is so full of pep and energy, it’s so cute and a lot of fun.


You Want It Darker - Revolutionary Girl Utena AMV

Leonard Cohen sing talking over Utena was not something I realised I needed in my life but apparently I do.


【星座】Constellation - 消えていく(この世界)

One of the more unique videos I’ve ever seen. It was made as the actual music video for the song as well!


Did Eden Ever Exist | Sleep Token - Take Me Back to Eden | Cyberpunk Edgerunners AMV

I don’t really vibe with Sleep Token, but I do vibe a lot with this particular video. I adore the pacing and storytelling, it’s very well thought out. 


Death of the Endless // amv

Endlessly pretty and satisfying.


PRECUR/Z - How It's Done - HUNTR/X - K-Pop Demon Hunters - Pretty Cure AMV

I love how much Ileia must love Precure to have been able to make this. 


To Your Eternity AMV - Bôa - Walk With Me (Londinium Version)

Akio110 if you’re reading this, I’m so sorry I haven’t left you a comment yet on YouTube for this video. I love it so much to the point where it’s hard for me to articulate my feelings regarding it.


Kpop Kyubey Hunters - How It's Done (Madoka Magica Huntr/x AMV)

I really enjoy Magix’s take on this song using Madoka here.


Texhnolyze - My Own Summer (Deftones) (AMV)

Extraterrestrial Elephant has really nailed the atmosphere in this.


HIMITSU | The Eraser

This is a super interestingly edited video.


Ready for my show? [ADO SHOW AMV]

Super competent textwork which somehow magically doesn’t bother me. Probably because a lot of it is Japanese text and is stylistic enough that comes across as actually belonging within the video rather than being additional to it.


Just War (Patlabor 2 AMV)

Cendy Warlos makes some really unusual and beautifully unique videos. 


Awesome Medical Video [Young Black Jack AMV]

The best kind of humour. 


JMI Productions - Anime Opening/Ending Showcase Intro Music Video

I am the only person who’s liked this so far, and I am verifiably (because I download my watch history every year) over half of all the viewcount on it.


i see our future in your heart... it flickers [amv]

This is so oddly made yet so compelling to me. 


I wanted to watch more movies with you

Love the subtlety of the editing in this one. 


Golden Afternoon - Land of the Lustrous

This appears to only be trashcan-train’s second AMV (their first is also great), and it sure is a gem.


Orbital Halcyon Totally Epic City AMV

Can you even call yourself an AMV editor if you don’t give people motion sickness once in a while?


Nadia - Hypnotized (AMV)

Extraterrestrial Elephant creating this lovely vid and in the process saving me from trying to make an AMV for this song myself which most likely would have ended up half baked and unfulfilling.


🔥Catch My Breath🍃 Demon Slayer AMV

Apparently I have a fondness for Demon Slayer AMVs which use upbeat girl power-esque songs.


The Blues Brothers || The Safety Dance

So much nostalgic fun!


TONDE BUURIN MARCH OF THE PIGS NINE INCH NAILS AMV

I massively prefer chiyuomo’s vids when they’re not using Weezer songs (which is what they mostly edit) and this one is the most stupid fun thing ever.  


AMV | Otherside Picnic | Out of my Mind

This one is a super interesting mood. 


Close Encounters of the Third Kind || Wonderwall

Berlynn Wohl has kinda blown me away with the quality and quantity of their MV output over the past couple months. They make excellent and interesting stuff, and this one hit me just right.


body in motion mind at rest

Truly the embodiment of the phrase “poetry in motion”.


Where Imagination Goes AMV

Perfectly encapsulates childlike wonder.


IMPOSTEЯ [The Summer Hikaru Died | Nine Inch Nails | As Alive As You Need Me To Be | AMV 4K]

I was hoping so hard that this song would get an AMV, and Bauzi’s stepped up and exceeded expectations. 


JMI Productions - Ctrl + X My Heart Out

I’ve watched this a lot in the past month it’s been out. I adore the sync in it so much.


Ukemi [Ippon Again! AMV]

I regret not giving feedback for this vid during RICE (I ended up not giving any feedback at all during RICE 2025, but this vid I regret the most) cause I love it so much.


Sportsball

Vivafringe casually editing some of the most goated match cuts.


Texhnolyze AMV - The Moon

It only took 5 seconds for me to fall in love with this vid. 


Hello (please save my) Earth

What a beautiful wonderful video to end my year on - thank you so much for making this Vivafringe <3

katranat: (Default)

10


Video title: John Wick

Editor: BoxJoe

Anime: Various

Song & Artist: John Wick - Conner Price & ANAS 


VPR: All


Comments:


“John Wick” is a video I’ve kept coming back to over and over again in the past year due to how fun it is. BoxJoe really struck gold with the selection of clips and the slick editing style. BoxJoe has done a whole host of wonderful editing and compositions keeping the AMV vibrant and addicting to watch as well as having a super solid base of excellent match cuts and sync. The whole thing is a pretty perfect dance AMV in my opinion, and I love that he’s included a lot of clips and sources that aren’t seen as often in dance AMVs as well as some familiar classics - there’s a great mixture. I especially love the moments where the internal sync matches the strange bass vibration type sound in the background of the song - those are absolutely superb.

   



09


Video title: shouwa genroku rakugo shinjuu //「萬千花蕊慈母悲哀」amv 

Editor: ori

Anime: shouwa genroku rakugo shinjuu

Song & Artist: 萬千花蕊慈母悲哀 - 珂拉琪 Collage


VPR: Film grain, vignettes & other peripherals, blurs, fades to black, quick cuts, fire, flashes

CW: Blood


Comments:


Never have I seen a video I’ve found as difficult to talk about at this one. 

You absolutely must read the YouTube video description for this - you could go in blind I suppose, but there’s quite a lot of cultural significance and also explanation for some choices which you’ll miss out on if you don’t read Ori’s commentary.  


I’m guilty of not really getting other genroku rakugo shinjuu AMVs I’ve come across, like, I understand them, but for whatever reason they've never really left much of an impact on me. 

This video finally got through to me I think mostly because of the monumental weight and scale that the song brings to the table. I feel Ori has done an exceptional job of balancing the tale of tragedy being told by the song with the more intimate tragedy being played out in genroku rakugo shinjuu. It’s utterly heart wrenching and has made me reflect that honestly, it doesn’t really matter what the scale of something tragic is, things can still be terrible regardless of how many people it affects - it doesn't make it any less of a tragedy for the person it’s affecting.  


Ori’s editing is completely perfect here, the sync is impeccable and is majorly impactful. Interestingly I think my favourite moment of the whole video is at 02:34 where the spoken word section from the anime ends and it changes abruptly back to the singer from the song. Usually I dislike when AMVs use audio that’s external to the song, but in this case Ori times it with an instrumental break, and then that split second where it changes back, there’s a tiny bit of overlay in the audio of the speaker and the singer and it just sounds incredible to me - there’s so much power in this one moment.


Of all the videos where I haven’t left a comment on YouTube, I think I regret not saying anything about this video the most. Trouble is though, what can you even say in a YouTube comment about a video like this that isn’t going to be wholly inadequate?




08


Video title: Brain Dance

Editor: Purplepolecat

Anime: Cyberpunk: Edgerunners

Song & Artist: Reason For Living - Morgan Page


VPR: All

CW: Violence, gore



Comments:


Despite how much most of my 2024 sucked, it did have some bright spots - one of which was I spent a large amount of time getting rather good at playing Beatsaber. I will freely admit that part of my love for “Brain Dance” as an AMV stems from my enjoyment of playing this song in Beatsaber. I’ve found that Beatsaber interestingly scratches a similar part of my brain that AMVs do with regards to songs - sometimes there’s just music that I need some kind of visual stimulation to go along with and Beatsaber can be almost as satisfying for this as AMVs are. “Brain Dance” combines these two worlds for me in a wonderfully satisfying way. 

Despite the title, “Brain Dance” doesn’t really feel like a dance AMV, it’s closer to a drama/action video - taking the fairly typical dance club-esque lyrics and spinning them into something much more sincere. The climax of the video is absolutely glorious - there’s a wonderful swooping sensation in the music which Purplepolecat has matched with internal sync seemingly effortlessly.  

Purplepolecat is among the older generation of AMV creators and to see them still making videos in the past couple of years has been a real treat. 




07


Video title: Let your Red Line shine

Editor: Shark Tooth Goosie

Anime: Redline

Song & Artist: Let it shine - Yuzo Koshiro


VPR: Major motion, fades to black, flashes, fire, peripherals


 

Comments:


I’ve watched a lot of Shark Tooth Goosie’s AMVs over the years, and “Let your Red Line Shine” might be my favourite thing from them yet. It has a wonderful feeling of both being classical and classy - the editing style and source combination gives it a super old school vibe, and something about the scene selection and subject matter screams elegance. 

The internal sync throughout the AMV is generally excellent, and my favourite section is 02:30 - 03:24 - the sync choices here are outstanding. Truly they are the pinnacle of what I desire in an AMV, it’s both visually stunning and also a perfect match for the way the song sounds during these moments - there’s an enormous sense of elation which makes my brain exceedingly happy.




06


Video title: Be X finE

Editor: Animetrash AMVs

Anime: Project X Zone

Song & Artist: Be Fine - Madeon


VPR: All (major shapes/patterns)


 

Comments:


I think the novelty of the source is what got me initially hooked on “Be X finE” and then as usual Animetrash lured me in the rest of the way with fun times and satisfying sync. 

This is technically a GMV rather than an AMV, but as it’s in anime form I included it on my main list. 

Animetrash picked a slightly not so obvious song match here I feel - random clips of video game characters doing cool moves and showing off doesn’t really scream a Madeon song about how everything’s gonna be fine in my mind, but it did in Animetrash’s head, and it works incredibly well. There’s so much motion and dynamic visuals present and it’s also just so colourful and interesting to watch.




05


Video title: This Will Be a Beacon

Editor: Lunasspecto

Anime: No.6 

Song & Artist: Monument (The Inevitable End Version) - Röyksopp and Robyn


VPR: Fades to black, motion, red emphasis scenes, explosions, light leaks

CW: Violence, blood


Comments:


I need to firstly apologise quite profusely to Lunasspecto - whenever I read the title of this video (which is often) my brain kind of glazes over and I see the word “Bacon” instead of “Beacon”. I find this slightly hilarious, but also deeply inappropriate, especially as “This Will Be a Beacon” is such an apt and moving title choice for the video!

“This Will Be a Beacon” is the only No.6 AMV I’ve seen so far where I have some idea of what’s going on in the story - for example; I’ve seen a handful of other No.6 AMVs and this is the first time it’s been made clear that the brown haired guy and the white haired guy are in fact the same person. Or perhaps I’m just unobservant. In any case, the storytelling in “This Will Be a Beacon” is wonderfully precise and understandable. 

I adore the pacing Lunasspecto had chosen, with the video starting out very calm and slow, ever so gradually picking up pace as the AMV progresses. I think my favourite part of the whole video is at 00:51 - 01:02 where it's the morning and the kid has disappeared, and Lunasspecto could have cut to the music a lot more frequently here, but I love the choice to hold the long scene of the pan up and show the cups, I feel it really hammers in the feeling of loss of this person being gone.




04


Video title: New Constellations

Editor: arin

Anime: Trigun Stampede

Song & Artist: New Constellations - Ryn Weaver


VPR: Motion, cuts to black


 

Comments:


My anime watching habits are pretty non-existent these days, so the fact I managed to actually watch Trigun Stampede in 2024 is nothing short of a miracle. I had a few issues with it, but one of the things I did perhaps surprisingly enjoy is the art/animation - so I do very much enjoy watching AMVs which use it as a source. 

“New Constellations” is an AMV which the YouTube algorithm fed me after I’d been watching a handful of other Stampede videos and I’m very grateful it did.


The editing in “New Constellations” is not quite what you might expect - I’ve found over the years of watching AMVs I tend to assume videos will adhere to certain patterns or sync types and I had to throw that part of my brain out of the window and readjust my expectations in order to appreciate this video. arin syncs primarily to the piano notes and the singer’s voice throughout the whole video - which is a pretty normal way of syncing, until about a minute and half into the runtime when the song begins to have these almighty drum booms, which arin just ignores completely. The first couple times of watching it was insanely distracting, hearing these massive moments of the song without seeing any noticeable sync to them whatsoever made my editing brain itch. 

Taking a step back and really understanding what makes this AMV tick, I feel this was ultimately the right decision for this video. Continuing to sync to the more muted elements of the song helps to give the video a delicate and fragile feeling, and I think it actually makes the climax all the more impactful for it - with the shift in emotion in the singer's voice being the main focus of the editing without any distractions from attempts to edit to other elements. It is truly glorious. 

I would like to add that 02:20 - 02:32 is probably the most strikingly beautiful combination of music/lyrics and imagery I’ve ever seen. I genuinely get chills whenever I watch this part.   




03


Video title: Jupiter’s Horizon

Editor: Animetrash AMVs

Anime: RahXephon

Song & Artist: Hallucinations - PVRIS


VPR: All

CW: Violence


Comments:


In contrast to Animetrash’s previous RahXephon AMV on this list, “Jupiter’s Horizon” is a bit more in keeping with expectations for AMVs using this anime - we’re into serious/psychological territory here. How Animetrash goes about this though, is utterly unique to him, and as usual, the sync here is stunning 

From 02:33 until the end of the video, there’s a slightly weirdly euphoric feeling (not a reference, honest) of release, or at least this is what I get when I watch the AMV. It’s such a dissonant thing because the scenes shown in the climax are quite violent and jarring, with mechs being ripped apart and deformed and all kinds of other horrific things - and yet, it all feels like relief instead of dread, like a transformation rather than an ending.   


                                                 


02


Video title: Vash’s Burden

Editor: Breeman AMV

Anime: Trigun Stampede

Song & Artist: Heavy Burden - Devin Townsend


VPR: All


Comments:


For the first half of the year I was convinced “Vash’s Burden” was going to be my number 1 AMV for 2024. Alas, it was not meant to be, but honestly any other year and it absolutely would have been. 

Breeman kind of came out of nowhere with “Vash’s Burden” this year, I only watched it because I happened to notice it’d been added to animemusicvideos.org’s database and I thought I’d check it out. 

Breeman uses a lot of compositions and overlays in this video to fascinating effect. I especially adore the moments of chroma key using the star constellation clips from the anime ending - those are wonderfully creative and they work in the context of the AMV beautifully. I also love how despite all the adherence to syncing quite precisely, Breeman still left moments which feel more free, like 02:45 - 02:55 where one clip is left to run on and it still matches perfectly. 

I’m in awe of how out of the box “Vash’s Burden” manages to be, while also being such a perfect tribute to the character of Vash - Breeman has made something truly special here.




01


Video title: Can i call you tonight?

Editor: Narut9

Anime: Naruto, Naruto Shippuden, Boruto, Naruto Manga

Song & Artist: Can I Call You Tonight - Dayglow


VPR: All (major quick cuts)


Comments:


Throughout this whole list I have not mentioned exactly how many times I’ve watched each of these videos. This list is ordered from least to most watched so in the grand scheme of things the exact view count isn’t really that important. I would like to reveal that at the time of extracting my YouTube watch history information, I had watched “Can i call you tonight?” 42 times. 

I knew that no matter what metric I would use to create my list this year, “Can i call you tonight?” was going to be my number 1, but that still didn’t quite prepare me for the sheer amount of views I apparently put into this. To put this into context, a couple of years ago I made some lifetime statistics about my YouTube watch habits and my overall most watched AMV of all time at that point had 52 views - and that’s a video which has been on YouTube and I have been watching since 2011. I really cannot understate just how insane that 42 number is - and that doesn’t even include however many times I’ve watched it in order to make this write up!  


When I first came across “Can i call you tonight?” I almost immediately made a blog post specifically for it - I was worried I might not make this list and I couldn’t not say something about it somewhere. For the most part I feel everything I want to say about “Can i call you tonight?” is covered in that post, though I do feel there’s one point I didn’t make very clear. 

“Can i call you tonight?” is a deeply flawed video, there’s no denying this. Its flaws however, are part of what I believe makes it great. I’m not saying it’s great in spite of these flaws, I’m not even saying it’s great because of these flaws, rather I feel the video simply would not be the same had it been created in any other way. This is a rather broad statement which you could make fit with any AMV I realise, but in this case I mean it in a rather specific way. 

The editing itself gives off a feeling of what I can only describe as desperation - it doesn’t matter whether this is true or not, I have no idea what process Narut9 went through in order to make this, but the end result is a video which appears to have been made despite the given limitations, and it’s been made with such an obvious level of love for the source material and characters. This desperate feeling is the exact same energy that these two characters exhibit for each other within the AMV. “Can i call you tonight?” is demonstrably layers upon layers of what I believe to be ultimate passion all the way down.

katranat: (Default)

Apologies for my brevity with some of these - I've been recovering from covid over the past couple of weeks and my brain feels like molasses but I just want to get these done.


20


Video title: Speed Demons

Editor: SFPhoenix AMV

Anime: Various

Song & Artist: Deja Vu - Dave Rodgers


VPR: All (major motion, major blurs)



Comments:


“Speed Demons” is criminally underrated. Seriously, this is the kind of high octane multi source editing I would expect to see in contest winning AMVs, and this video has hardly any attention whatsoever. SFPhoenix AMV has put so much effort into amazing sync, fun match cuts and just downright awesomeness everywhere in this video and it’s kind of heartbreaking that I’m basically the only person witnessing it. I’m aware Eurobeat is memed on a lot and can be a bit of an acquired taste, but even disregarding the music you cannot deny that “Speed Demons” is incredibly badass, and probably most importantly of all, it’s a whole lotta fun. 





19


Video title: FLY

Editor: Caribou-kun

Anime: Inu-Oh, Heike Monogatari

Song & Artist: Question! - System of a Down


VPR: All (major strobing and flashing) 

CW: Violence



Comments:

For the benefit of anyone unfamiliar with either of these sources, I’m just going to roughly explain both of them so you can understand what Caribou-kun is doing with this AMV. 

Inu-Oh is a movie about two people who use musical performances as a storytelling medium - specifically they are telling stories from the dead spirits of the Heike clan who perished in a famous battle (Inu-Oh is about a lot of other stuff as well, but for understanding this AMV, that’s the jist of it). Heike Monogatari, as you might have already guessed, is an anime about that same clan’s story. Caribou-Kun brings these two together to weave the tale of the Heike clan through the medium of Inu-Oh’s performances and Heike Monogatari’s striking scenes. 

It’s also somewhat of a surprise to hear a System of a Down song in an AMV in 2024 - and it works incredibly well considering the subject matter. I’ve heard this song so many times before, but I’m ashamed to say I’d never really paid attention to the lyrics - this video has rectified that. 

Caribou-kun’s editing is wonderful and experimental here. He’s someone who’s often trying new things when he edits, and that’s also the case here. There’s an abundance of overlays and masking and strobing, and it all comes together in a very gratifying way. 

When I was writing up the VPR’s and CW’s for these videos, I got to this one and I felt like this needed a “violence” warning but I couldn’t really pick out any particular clips that warranted the warning. Yes, there’s a lot of war and death in the story being told, but it’s very much on the sidelines and isn’t very explicit. Then I realised that the majority of the violent feeling I get from the video, is the video itself. It’s an assault on the senses, almost unpleasantly so. It’s an interesting, almost allegorical portrayal of the violence in the story, using harsh editing as a proxy for any actual visible bloodshed, and I think it’s incredibly clever of Caribou-kun to have put this together.    




18


Video title: The Phantom Cuts

Editor: JamesBlond

Anime: Noragami, Noragami Aragato

Song & Artist: Golden Touch - JAXSON GAMBLE


VPR: All

CW: Violence, blood


 

Comments:


“The Phantom Cuts” was one of the the darlings of the 2024 RICE contest, and for good reason. I’ve only seen a handful of Noragami AMVs before and none of them have ever made the anime appear awesome as “The Phantom Cuts” does. JamesBlond adheres to the syncing so tightly throughout the video, loading every moment with satisfying motion and cutting so precisely (heh). It’s an all around top tier showcase of editing and results in such a fun and adrenaline pumping video. 




17


Video title: Binary Superstars

Editor: Animetrash AMVs

Anime: Carole and Tuesday

Song & Artist: Cinderella (feat Magic Man) - The Knocks


VPR: Motion, light leaks, flashes, fire



Comments:

My thoughts on “Binary Superstars” can mostly be summed up as, these kids are just so gosh darn cute! Animetrash picked the perfect song to showcase these two adorable girls and their shared love for music - it’s so uplifting and carefree. Animetrash of course also packs in a lot of fun and satisfying sync, including the ever popular syncing with instruments which is always enjoyable to see. If I ever need a pick me up, I put this AMV on and it never fails to put a smile on my face.    




16


Video title: I Wanna Go

Editor: skrrt

Anime: Panty and Stocking with Garterbelt

Song & Artist: I Wanna Go - Britney Spears


VPR: All (major motion)

CW:  Sexual imagery


 

Comments:


Skrrt has made a lot of really good AMVs, including an amazing series of Utena AMVs set to songs off of Charli XCX’s album BRAT, but it’s their Panty and Stocking video “I Wanna Go” which I have personally found to be the most addictive. Not only is this an AMV which uses Panty and Stocking in 2024 it’s also using a Britney Spears song from 2011! The nostalgia factor is off the charts here and “I Wanna Go” feels like it would fit in perfectly with the AMVs from the early 2010’s. Where the video really shines for me, is during the pre-choruses and choruses, the way the song flows at these moments and how skrrt has matched this with the editing is utterly magical - it feels kinda like flying.  




15


Video title: 50 Shades of Blue

Editor: Speksi AMVs

Anime: Various

Song & Artist: Blue - Eiffel 65 (+ remix by AwesomiZer + Hatsune Miku)


VPR: All



 

Comments:


I will admit I am a person who very much enjoyed Blue by Eiffel 65 when it first came out (in my defense I was 10, so like, the perfect target audience), so I have a soft spot for the song and any remixes of it. Speksi appears to have created their own mix of the song for this AMV, using a combination of the original, plus a remix from an artist on Soundcloud, plus Hatsune Miku! It’s all put together really well and is a fun twist on simply using the original song. 

The concept of “50 Shades of Blue” is stupidly simple - find all the blue things and stick them in the video together. Even though the concept kind of hits you over the head over and over again with “look, another blue thing!” it’s still a lot of fun to watch and is downright beautiful at some moments. It’s also really neat to see what different sources Speksi chooses for the song throughout the video. My only nitpick is the clip that starts at 03:15 - I firmly believe that this is purple and not blue.  




14


Video title: SPECTRUM

Editor: Elfeni

Anime: Various

Song & Artist: City Boy - Donkeyboy


VPR: Major all



 

Comments:


I was slightly obsessed with this AMV when I first came across it. I have a bit of a soft spot for AMVs where it’s visually difficult to discern what the images even are (partly because I made a video like this myself). I believe there’s something to be said about the video making process for the absence of something in a video - I feel this can be as important as what is in a video, but this is a topic I might do as its own write up one day. Elfeni did upload an alternative version of “SPECTRUM” which includes the original clips as greyscale underneath the light show, but while this version is easier to watch, bizarrely I feel even though it shows more it actually loses something in the process. The draw of this video for me is the way the “find edges” light show gradually reveals different parts of the image due to the motion in the anime - it’s incredibly mesmerising and fascinating to watch. It’s also fun how the colours change constantly in the same order and I believe (but haven’t verified) that each clip is the same length - so there’s this insistent rhythm that the video adheres to throughout.   




13


Video title: Inner Light

Editor: HDV AMV

Anime: Jujustu Kaisen

Song & Artist: Inner Light - Elderbrook


VPR: All 



 

Comments:


This was a highly anticipated AMV for me - HDV very graciously and slightly randomly let me see a beta version of this video and I instantly fell in love with it even though it wasn’t yet finished. I was super happy when a couple months later HDV released the finished version. 

It wouldn’t be an HDV video without some slightly off the wall goofy ass editing - and yet there’s also an abundance of intensely atmospheric and downright awesome moments. There’s something about the music that feels slightly magical and HDV matching this with Jujustu Kaisen gives it an oddly ethereal feeling.    




12


Video title: Change

Editor: GIFTEDASF

Anime: Various

Song & Artist: Change - Tears For Fears


VPR: All (major motion, shapes/patterns, psychedelia)



Comments:

I’m going to be honest - this is a weird AF video where I don’t know why it works, it just does. Not only is it multi source, it’s also multimedia, combining anime with western animation and live action - even going as far as including clips from the original Tears For Fears music video for the song! Most of the sources are old-school 80’s but not all of them fall into this category, which is quite interesting, because you’d think to keep the aesthetic flowing throughout the video the sources would need to all match, but this isn’t the case, and yet the vibe is impeccable anyway. 




11


Video title: crush my head like a watermelon

Editor: SadSack

Anime: Precure

Song & Artist: RATATATA - BABYMETAL, Electric Callboy


VPR: All (major motion)



Comments:

Babymetal and magical girls - so hot right now. In all seriousness, “crush my head like a watermelon” is actually super hot. The energy SadSak has packed into the video is outstanding, it’s some of the most fun I’ve had with an AMV all 2024. I could go on about the sync and the match cuts and the motion, but at this point in the list I feel like a broken record, and you all have eyes and ears. “crush my head like a watermelon” is an absolute triumph and you don’t need me to explain why.     


katranat: (Default)

30


Video title: Jinshi’s Addiction

Editor: Shark Tooth Goosie

Anime: Apothecary Diaries

Song & Artist: my strange addiction - Billie Eilish


VPR: Motion, fades to black, red emphasis scenes, 


 

Comments:


“Jinshi’s Addiction” is one of those videos where I have no context for the anime, and yet everything in the AMV is utterly clear because of how well the editing conveys the story

There are so many moments which Shark Tooth Goosie absolutely packs full of attitude - I live for the syncing of the girl brushing the guys hand off her shoulder constantly. I love how unimpressed the girl seems throughout the whole video, and yet there’s obviously some kind of attraction between the characters - it’s a really fun dynamic and Shark Tooth Goosie shows it off so well. 



29


Video title: NiteLight

Editor: Radical Yue

Anime: Various

Song & Artist: The Night Out (Madeon Remix) - Martin Solveig


VPR: All


Comments:


I usually don't have any issues watching AMVs on YouTube regardless of the quality - I've been using the site since 2005 when the quality was around 144p and I often still watch videos of that age. “NiteLight” is one of the few videos where I take issue with the YouTube quality. When I watched it for the first time I had a rather visceral rejection of what I was seeing, never before had compression looked so reprehensible to me. “NightLight” is an AMV that, in my eyes, demands to be beautiful - and the 720p YouTube upload simply isn't good enough for it. So I broke with my decades long habit of watching AMVs on YouTube whenever possible and downloaded myself a copy of it to watch locally - while not my preference, it is a vastly superior experience. I'd recommend grabbing yourselves a copy, there really is such a difference.

The effects work in “NiteLight” isn’t what I’d call subtle, however it is unobtrusive and adds a lot to the concept and mood of the video - this can be somewhat of a difficult balance to strike and Radical Yue has nailed it. 

There’s so much fun and joy in this video, it really feels like a celebration of all these different anime and is a love letter to the sub genre of dance AMVs themselves.  




28


Video title: Queenslayer

Editor: GodFire91

Anime: Sailor Moon Crystal/Eternal/Cosmos

Song & Artist: Kingslayer - Bring Me The Horizon feat BABYMETAL


VPR: All


Comments:


Sailor Moon combined with Babymetal - this combination was destined to rock, and GodFire91 has achieved the pinnacle of this with some top tier editing. I love the use of distortion effects - GodFire91 uses several different types of distortion throughout the video to match some of the noises and moods in the song and it makes the AMV super dynamic and interesting. Also generally there’s great scene selection and sync making for a solid video all around that’s a blast to watch. 




27


Video title: NAKA-KON 2024 AMV CONTEST SUBMISSION

Editor: K!LL SCREEN

Anime: Various

Song & Artist: Energy Laser - Kobaryo


VPR: Major all

CW: Strong gore, violence, sexual imagery, nudity


WARNING! THIS VIDEO IS NOT AGE RESTRICTED ON YOUTUBE - IT ABSOLUTELY SHOULD BE, SO PLEASE BE CAREFUL WHEN WATCHING.


Comments:


Sometimes the shock factor and crazy energy is the main draw of a video, and that's exactly the case here (the AMV doesn't have a proper name, and I refuse to type out its title every time I want to refer to it). It is highly NSFW in its content and the editing style is deliberate in its enhancement of this. Some of the video is quite tongue-in-cheek, especially the intro, which does soften the content slightly - it’s not glorifying the content here, it’s mostly just being stupid and having fun.

K!LL SCREEN is a super interesting editor for me. They're primarily a DJ, making mixes of hypercore music, and they also sometimes pair this with visuals, often creating a lot of original graphics to accompany their music. Occasionally they make AMVs. I think this is the first AMV from them that's an individual project - previously they've made AMVs for entire DJ set pieces (which are quite wild). K!LL SCREEN’s editing style is just so out of the ordinary I can’t help but be mesmerised by anything they create.




26


Video title: Harmonia’s Dream

Editor: GonzoZord

Anime: The Tatami Galaxy

Song & Artist: Harmonia’s Dream - The War on Drugs


VPR: All


Comments:


Clocking in at almost six and a half minutes, “Harmonia’s Dream” is the longest AMV in my top 50. Despite this it doesn’t feel like a “long” AMV at all, in fact whenever I watch it I get so sucked into the upbeat editing that the time simply flies by. The energy GonzoZord packs into the video is impressive, editing long AMVs can feel like a chore sometimes, but there’s no evidence that GonzoZord lagged at all in their endeavours and indeed the video even seems to pick up steam the longer it plays! There’s so much happening all the time in this AMV - it’s definitely one to repeatedly watch in order to catch all of the wonderful sync moments. 

GonzoZord uses a lot of split screen throughout “Harmonia’s Dream” which is a gimmick I’ve seen in many other AMVs and GonzoZord brings something fresh here - using it as a way to show differences in the passage of time and compare and contrast changes in scenes. It’s honestly one of the greatest ways of visually communicating some of the scenes in The Tatami Galaxy I’ve ever seen. 



25


Video title: Transcend-Dandy Cha Cha Cha

Editor: Aqua Sky Productions

Anime: Space Dandy

Song & Artist: Transcendental Cha Cha Cha - Tom Cardy


VPR: Flashes, quick cuts, intense colours, motion, patterns, light leaks



 

Comments:

When this song and accompanying music video dropped I felt it would be perfect for AMVs and yet I couldn't envision a way someone could make something that would be as fitting as the animated music video made for the song. I just had no idea what anime they could choose or how they might even put something together that could stand shoulder to shoulder with the official music video because it was just that good.

Well, serendipity struck and Aqua Sky happened to be in the exact correct situation in order to create history. Honestly, you really don’t need me to tell you all how awesome this AMV is - it’s clearly evident simply by it’s existence, seriously, just watch it. I am so so happy that it has achieved so much success on YouTube, Aqua Sky deserves every bit of it. 




24


Video title: Dying Light

Editor: Videobeats

Anime: Star Wars: Visions Volume 2

Song & Artist: Dying Light (Justin Hawkes Remix) - Metrik, Shockone


VPR: All (major RGB split effects)



 

Comments:


So uh, yes I consider this an AMV - even though I guess it’s technically western animation mostly? Whatever, there’s clearly at least one short in here that’s stylised like anime and that’s good enough for me. 

A couple years ago VideoBeats made a different AMV using the first series of Star Wars: Visions, which was also one of my favourites the year it came out - “Dying Light” is an absolutely gorgeous successor to this. The RGB split effects are just really super cool, I’m not really the type to nerd out over effects, but I just can’t really think of any better descriptors of how I feel about them - they’re so darn neat in the context of this video. Videobeats is single-handedly keeping the world of Star Wars cool for me. 



23


Video title: du and ich

Editor: sailormoonfreak

Anime: Revolutionary Girl Utena, Adolescence of Utena

Song & Artist: Du Und Ich - Blümchen


VPR: All (major flashing & strobing)



 

Comments:

Random anecdote - I used to play a lot of Audiosurf back in the day (I was one of those people who would only play Ninja Mono) and my favourite song to play was Du Und Ich because it was the most challenging song in my music library I could find. I never in my wildest dreams imagined someone would make such an amazing AMV with it, or that would ever even be on anyone's radar to edit with in the first place.

sailormoonfreak has a strong back catalogue of editing with Revolutionary Girl Utena and “du and ich” is absolutely her magnum opus for the series - there’s so much heart and soul and clever bits of editing. The interweaving of the car scenes from the Utena Movie and the sword fighting scenes with the corresponding characters in the series is utterly incredible. There’s a lot in this video I feel I’m unable to fully comprehend as I haven’t watched the series, but I can see the craftsmanship and dedication that’s gone into making this. 

Somehow, the YouTube Algorithm seems to have completely missed sharing this video with the Utena fan vidding community - there are nowhere near as many eyes on this as I believe there rightfully should be. So if anyone reading this knows anyone who might appreciate this video, please share it with them!



22


Video title: Nothing to Hide

Editor: vivafringe

Anime: Spy X Family

Song & Artist: Nothing to Hide - Cosmic Gate


VPR: Motion, vignettes/peripherals, light leaks, explosions, flashes

CW: Violence, blood



 

Comments:


Another rare single source vivafringe AMV (although at this point, can they really be considered rare anymore?) - this time though, “Nothing to Hide” feels incredibly intimate. So far “Nothing to Hide” is the only Spy X Family AMV which has made me feel anything for the anime in any kind of meaningful way - I have nothing against the anime, it just doesn’t come across as my kind of thing. “Nothing to Hide” paints a portrait of the character Yor as someone who has realised that the important things in life are right in front of her with her fake family, and her super important top secret spy job (or whatever it’s supposed to be) isn’t actually who she feels she is. I feel it’s a really interesting take on this character and story and I appreciate that Vivafringe has made this a lot. 



21


Video title: Cursed To Be First

Editor: Animetrash AMVs

Anime: RahXephon

Song & Artist: Wanna Be Her - june


VPR: Motion, fades to white, quick cuts, flickering



 

Comments:


“Sweet”, “Silly”, and “Cute”, are not descriptors I’ve ever really associated with RahXephon AMVs before. Animetrash is a king at subverting expectations with his editing and “Cursed To Be First” is no exception. Obviously there’s a lot of other emotions at play in this video, it’s a lot more nuanced than just sunshine and daisies, but just the fact it’s so fun and upbeat breaks my brain a little bit every time I watch it. RahXephon had a small cult following back in the day and was semi popular to edit with for a bit, and it absolutely got type cast into a particular kind video (serious psychological/experimental videos mostly).

The unique atmosphere is not the only reason I enjoy this video. “Cursed To Be First” also has all the usual things I particularly love in Animetrash’s AMVs like interesting sync and  refreshing scene selection, which all together has made it one of my all time favourites of his. 


katranat: (Default)

It's about time I posted the rest of these eh


40


Video title: Turn Your Head

Editor: Kyapture

Anime: Neon Genesis Evangelion

Song & Artist: Evita - DeVita


VPR: All (major flashing & strobing)

CW: Violence, blood, gore



Comments:

There are many great Evangelion AMVs, there are also many great Asuka character profile AMVs. “Turn Your Head” has slotted itself into the upper echelons of these supremely smoothly and with (disappointingly) little fanfare. 

I can say with certainty that this is the classiest feeling Evangelion AMV I have ever seen, there’s a quality to the song which gives easy breezy eighties vibes, which lends a certain grace to the video even when some of the more horrific moments of the anime are onscreen. In the video description Kyapture talks about how they feel the song is contradictory - I agree with this and think that’s what makes it an absolute perfect fit for this particular AMV idea. It really helps to show the different aspects of the anime and particularly the character of Asuka in a stark light, and the fact Kyapture has curated the pairing flawlessly is the icing on the cake.

I love a lot of the the editing decisions Kyapture has made, they have a meticulous attention to detail which helps craft the narrative - the use of the opening door several times in quick succession is awesome, and the small amount of text near the end in the style of the font from the anime wraps the whole video up in such a satisfying way.



39


Video title: meganemania

Editor: SeasonsAMV

Anime: Various

Song & Artist: Various songs - Sneaks


VPR: Flashes, motion, light leaks, peripherals, cuts to black



Comments:

I find “meganemania” unusually addicting. As a series of short AMVs collected into one, it offers a unique experience every minute or so. Each short uses different songs by the same artist (who is someone incredibly obscure), and they also oddly, or not so oddly, focus on the anime trope of girls with glasses, “megane” through use of some anime rarely seen in AMVs.  

Each short has its own endearing characteristics; seasons is a master at delightful sync which “meganemania” is chock full of. The songs are each laser focused on one particular subject, which is brought to life in such a charming way. It's hard to compare each short with each other, and they do work altogether as a whole, but I will admit my favourite of them is the second one - it's just so silly I couldn't not fall in love. 



38


Video title: A Moment Apart

Editor: HDV AMV

Anime: Your Name

Song & Artist: A Moment Apart - Odesza


VPR: Motion, light leaks, flashes


Comments:

“A Moment Apart” is simultaneously the most stereotypical Your Name AMV I’ve ever seen while also somehow feeling completely different to every other Your Name I’ve ever seen. I can’t quite put my finger on exactly what HDV is doing to create this feeling. In its base form and structure there’s little to distinguish “A Moment Apart” from many of its peers; HDV has chosen a minimalist editing approach mainly relying on the beautiful scenes and internal sync. HDV does also do some interesting things in the form of match cuts and repeated scenes - this however is yet again something else that appears in several other Your Name AMVs as the anime does lend itself to this type of editing trope quite well.

To be clear to anyone reading, making AMVs with repeated sources/scenes/tropes/whatever is a good thing. I'm a firm believer in taking inspiration from others and iterating on ideas, so if you wanna make something and you're scared it's not unique enough, make it anyway! Your personal touch will shine through regardless - I’m just someone who has watched way too many AMVs over a long period of time and as a result am more likely to get excited by things in the medium that are new to me. 

Anyway, back to “A Moment Apart”. I think ultimately what drives my love of “A Moment Apart” could probably be boiled down to simply the song choice and the way HDV has edited the AMV. This is my favourite kind of music, and HDV has also deployed some of my favourite types of sync throughout the video. In addition there’s a slight intangible quality to it all. It’s almost as if the video is focusing on the space that exists between the two characters rather than the characters themselves - which I realise I’ve described poorly, again that sounds like basically every single Your Name AMV, but honestly I don’t know how else to describe it. It’s such an unusual feeling, I hope you all are able to experience it somewhat when you watch it yourselves. 



37


Video title: Violet

Editor: Sagar Amrania

Anime: Mob Psycho 100

Song & Artist: Violet - Conner Price


VPR: All (major motion)



Comments:


I think this is the first time I've spontaneously come across someone who isn't BoxJoe editing with a Conner Price song - no doubt there are several people who have, but Conner Price is not a music artist I've ever deliberately sought out, so I wouldn't know. 

Honestly my thoughts on “Violet” can mostly be summed as; I like Mob Psycho action AMVs, “Violet” is a particularly satisfying one and it makes my brain happy. The slightly bouncy beat of the song has a certain energy that Sagar Amrania has matched wonderfully using internal sync and pleasantly well placed camera motion. 

This is one of those videos where no matter how many times I watch it, I notice something new each time; whether that be a little bit of clever sync, or some neat bit of effects work  Sagar Amrania has sneaked in so expertly it flows as if it were part of the anime. 




36


Video title: Run Little Hero

Editor: BoxJoe

Anime: Jujutsu Kaisen

Song & Artist: Run Little Hero - LeGrand


VPR: All

CW: Violence, blood


 

Comments:


My knowledge of Jujutsu Kaisen comes mostly from watching AMVs and reading fanfiction. So yeah, I don't know a lot. Despite how little I know about Yuji as a character, I feel this is an aptly fitting character profile video for him - I could be wrong about that, but I doubt there would be this much vibrancy in BoxJoe’s editing otherwise. 

BoxJoe does a lot of fun editing tricks here, and they help make “Run Little Hero” very energetic and dynamic. BoxJoe always impresses me with the way he uses masking etc. often there is so much that it might be overwhelming, yet somehow it never feels over the top, it’s always just the right amount. I think it helps that he usually establishes early on in the video what kinds of shenanigans are going to happen and then he keeps the flow consistent throughout, so that while it’s visually fun and engaging, it’s also not unexpected or jarring.  




35


Video title: Footloose

Editor: SQ

Anime: Inu-Oh

Song & Artist: Dancing in the Street - The Struts 


VPR: Fire, motion, blurs


 

Comments:


I'm so happy SQ made this. I feel there's a huge amount of untapped potential for using scenes from Inu-Oh in dance AMVs and a lot of people just aren't seeing it, either because they are unfamiliar with the anime, or they are put off by the art style. In my opinion the dancing in Inu-Oh is some of the most authentic and emotionally engaging, considering some of it is being used to convey a story and other moments of it are representing such sheer unbridled joy at witnessing a beautiful performance - I dunno, I think it's great, and SQ has done an amazing job at showing it all off here, tapping perfectly into the energy of these scenes. Something which is also really neat is SQ has structured the video to essentially tell the story of the song, which is massively satisfying considering Inu-Oh is about telling stories through music.  




34


Video title: Video Killed the Radio Star

Editor: Takara

Anime: Kodocha

Song & Artist: Video Killed the Radio Star - The Buggles


VPR: VHS lines, flashes, flickering, light leaks, particles/patterns, quick cuts


 

Comments:


This is one of those videos which in hindsight is a really obvious pairing, and yet somehow no one thought to make it until Takara in 2024. I’m super happy this now exists, and Takara was perhaps the perfect person to create it - they have a penchant for creating slightly whimsical and nostalgic videos and “Video Killed the Radio Star” excels at both of these. The nostalgia is brilliantly twofold, as the sources themselves are fondly remembered by many people, as well as the impression of missing a bygone era from the words in the song itself.

Takara’s editing is utterly delightful, tapping into the charm and whimsy of Kodocha, and using many scenes in clever ways.   




33


Video title: Never Let Me Go

Editor: vivafringe

Anime: Macross Plus

Song & Artist: Always (Tinlicker remix) - Above & Beyond


VPR: Flickering, light leaks, motion, flashes, patterns/particles, red emphasis scenes, peripherals


 

Comments:


It’s always fascinating to me when vivafringe releases a video showcasing only one anime. I’m more familiar with his work showcasing ideas/themes/concepts by intertwining several sources to create hugely ambitious narratives. “Never Let Me Go” somehow still has the huge presence of one of these more involved projects, despite being edited with only one source. The scope of the video covers such vast complicated feelings and displays a variety of imagery and sync. It’s incredibly beautiful and honestly amazing for only being created in one week. 




32


Video title: AMOR ex Machina

Editor: Synæsthesia Productions

Anime: Vivy: Fluorite Eye's Song

Song & Artist: Real Love - Beautiful Machines


VPR: All


 

Comments:


I think my favourite thing about “AMOR ex Machina” is the unending sense of motion, the whole video flows so smoothly - even when Synæsthesia does moments of creative external sync, it all binds together and feels incredibly cohesive. 

Vivy is an anime I haven’t seen very frequently in AMVs, which is a shame as it’s rather stunning and definitely seems to make for great editing material. Synæsthesia uses the beauty of the name to its full potential, and in particular the moments where the chorus kicks in and the visuals open up are gloriously elating 




31


Video title: Miss Everything

Editor: Nashironeko

Anime: Bocchi The Rock

Song & Artist: Miss Nothing - The Pretty Reckless


VPR: All


 

Comments:


From the first opening notes in “Miss Everything” it’s clear this is going to be a good time. There's not a single thing out of place in “Miss Everything”, Nashironeko’s sync and eye for editing here is unparalleled. Nashironeko’s love for the medium is very apparent, “Miss Everything” is a video that’s not only fun to watch, it also looks like it was a blast to edit (at least I hope it was!). Bocchi is a super relatable anime for a lot of people, especially creatives, and I love Nashironeko’s framing of the themes here. 


katranat: (Default)

Hello everyone, and welcome to my top 50 AMVs of 2024!


2024 was a rough year for me personally. I spent most of the year unemployed, and as a result of this, I watched more AMVs this year than any other time in my life previously. Despite this, I also have felt extremely disconnected from the hobby as a whole this year. I have struggled with editing my own videos; only occasionally getting bouts of inspiration that actually let me finish projects. I have also felt my ability to connect with the AMV community generally has not been good, this is something I often have difficulty with, but this year was particularly stark. Even when I tried to actively participate in things, those things only ended up making me feel further isolated. This was almost entirely due to my mental health being not so great this year (resulting in the aforementioned unemployment), I do find it strange though as I had similar issues in 2021, and yet that year I was at least able to create several videos.
All of this info-dumping is me building up to saying that I almost did not make this list at all. I had completely given up on the idea of it, for a lot of reasons really, but the most pressing was I just could not shake the feeling of being “other” even within such a niche hobby. I am keenly aware that a lot of my taste in AMVs does not line up with a large section of the community and usually this isn’t too much of an issue - a lot of the AMVs I enjoy may not be objective masterpieces, but I would hope they can be respected for what they are by most viewers, therefore these lists I make have some credibility. There comes a point however, where I feel even if I say something like “videos on this list are my subjective favourites, etc.” there’s only so far I can take that before people disregard my opinion entirely, and looking at some of the videos that I knew were going to end up high on my 2024 list, I felt I crossed that threshold.  

This is probably grossly unfair of me to think, and honestly I have no idea how many people even read my lists every year, so it’s possibly a moot point anyway, but the fear of this just would not leave me. It also struck me as being potentially unfair on some of the videos I want to showcase - I don’t really want to put them against potential scrutiny like that when I genuinely love them and simply want to share them with the world, but if no one else even has a chance at liking them, then what’s the point? 


A solution to my issues made itself known to me while I was organising my YouTube history data for the year - something I’ve tried to do every year recently as I like to keep track of my viewing habits. I realised while doing this that I could just make a list of my most watched AMVs for the year, effectively taking any subjectivity out of the conversation and replacing it simply with, “these are literally the videos I watched the most, therefore I consider them my top AMVs”. This made me feel a lot better about the whole thing, so this is what I’ve done for my list this year. Previously I have been resistant to using watch-time as a metric for ranking because I assumed the videos I watched the most would be the “fun” ones, and more serious videos I enjoyed would be left out. In reality this is not the case, a number of somber/dramatic AMVs have made it quite high up the ranking. Ultimately, I feel the list in full does quite closely match whatever it could have been had I used an alternative method of creation. It definitely made the whole process a lot easier! I “liked” 584 AMVs on YouTube which were released in 2024, which is far, far too many to go through and try to make a list of favourites from. 

It’s possible this is an uninteresting prospect for most readers - having no actual thought put into the ranking might put some people off. It also means there’s a slight bias towards videos released earlier in the year as I had a chance to watch them more times (hey, at least it’s the opposite of recency bias!). Neither of these things was enough to put me off the idea though. 


There are a few AMVs I’ve included which were released late 2023. I didn’t get a chance to fully appreciate them before I made my 2023 list, so they’re on this one instead. Similarly, apologies to anyone who released an AMV in December 2024 - I have not been able to watch these videos at all (I finally became employed again in December), so they will be in consideration for 2025 (if I cobble together something that year). 

Additionally, while I have stated the list is of my most watched videos - there are a handful of AMVs where the majority of my watch-time happened outside of YouTube, therefore I have manually shuffled them into the ranking at roughly where I think they should go. I don’t feel this undermines the fact that the majority of videos here are ranked in exactly the order of least to most watched.  


I would also like to shout out CrackTheSky and seasons who are releasing their usual AMV lists for 2024 as of my posting this. Plus please check out Seasaltmemories who has completed her own video write ups for 2024 for the first time over on tumblr. 


Finally I’m going to take a moment to echo seasons’ and make my own comments regarding engagement and communication. 

During 2023 I wrote a series of blog posts called “AMV Roundup” where I gushed about various videos I enjoyed that were released throughout the year. In 2024 I gave up doing that, mainly because I was tired of writing them, but also I realised that I was essentially doing the opposite of what I wanted to get out of the process - I have a hard time thinking of suitable words for YouTube comments, so in a lot of cases with those videos I would gush and sing their praises in my blog posts, but more often than not, the creator never actually saw them. If I love a video, but the person who made it doesn’t know I love it, then my admiration feels void. 

So in 2024 I decided to make it more of a priority to actually leave YouTube comments on as many videos I enjoyed as possible, even if it was just as simple as “I love this”. There were still a number of videos I wasn’t able to comment on (some are even on this list), sometimes it’s hard to have the mental fortitude for those kinds of interactions regardless of how much you love something, and that’s completely okay. 

What I’m trying to get at here, is to encourage everyone to try and make an effort to interact more if they are able. It doesn’t have to be via YouTube comments - if you can reach a person in another way, go for that as well. The important thing I feel is if you like something that someone has created (and honestly it can be anything, not limited to videos) please let them know, in any way you can. It will honestly mean the world to them - I know it does for me, I appreciate every comment I get on my work so, so much. There are videos out there I’ve seen that have thousands of views, and yet somehow they only have one or two comments, and it’s honestly disgraceful. 

I’ve also found that commenting on other people’s work is often a good way of getting people to check out your own stuff. So go out there and make friends! Really it’s not scary, and you might just make someone's day.  


So without further ado - we’re counting down my top 50 most watched AMVs of 2024! Hope you all enjoy!




50


Video title: Anime Overdose

Editor: Yrense

Anime: Various

Song & Artist: INTERNET YAMERO - Aiobahn +81 feat. KOTOKO 


VPR: All


Comments:


We're starting this list with the rather chaotic and hyper “Anime Overdose” which appeals to me mostly because of the slightly crazy shiny factor to it all. Yrense has done a lot of really interesting editing including things like adding the Japanese Kana as lyrics on screen. There’s a lot of layers and masking and all sorts I can't identify going on in between transitions - Yrense has put it together meticulously. While making this list and trying to figure out how on earth to credit the song, I found the original music video to this song, and  now understand that Yrense has made “Anime Overdose” in the style of the original music video - which of explains all the crazy text and wild effects they’re doing. 

Yrense seems to be primarily a Vtuber, “Anime Overdose” appears to be their first and only AMV so far, which I believe makes their efforts here all the more impressive.




49


Video title: Riptide

Editor: MaxWEEBle

Anime: Kare Kano

Song & Artist: Riptide - Vance Joy


VPR: Minor motion, fades to black, fades to white


Comments:


Sometimes super sweet and simple is what's needed and “Riptide” is one the most sweet and elegantly simple AMV I saw this year. The sync feels so gentle and effortless, and it flows as if the anime had been existing this entire time behind the song, and it took MaxWEEBle’s efforts to coax it out from hiding. The scene selection is also incredibly adorable - I’ve seen a lot of these clips in other Kare Kano AMVs and they’re extra delightful in “Riptde” as the mood is so delicately light and joyous. 

There are a lot of moments I love in this in video, but I especially want to highlight the sync at 01:26 - it’s a relatively long clip and it would have been so easy for MaxWEEBle to sync by cutting here, especially considering how powerfully the music kicks up, and I commend MaxWEEBle for sticking to their guns and letting the internal and lyric sync play out instead.




48


Video title: You’re Not Here Now

Editor: Cendy Warlos

Anime: Delicious in Dungeon

Song & Artist: Brother - Vashti Bunyan


VPR: Cuts to black, red emphasis scenes, fire

CW: Blood



Comments:


I’ve come across only two other Vashti Bunyan AMVs in all my time in this hobby, and honestly I’m amazed there are even that many, and now Cendy Warlos has added another to their ranks! 

I first watched “You’re Not Here Now” before I’d seen the anime Delicious in Dungeon, so initially I was missing quite a bit of context, but even so the video has an incredibly strong message where I feel you don’t need to know the connections between the characters in order to understand it. Coming back to the video after watching the anime did give it a slightly new dimension and enriched the lore of the characters for me. 

The use of cuts to black by Cendy Warlos is not something I see very often, and it works incredibly well as a storytelling mechanism here, helping to emphasise both the physical and metaphysical distance existing between these characters. 

I find “You’re Not Here Now” quite unique in that it’s simultaneously beautiful and sweet and yet slightly morbid with a touch of dread. It’s a remarkable portrayal of the cycle of life and death in a deeply humanising way. 




47


Video title: Rebel Girl

Editor: perks of being an alien

Anime: Kill La Kill, Flip Flappers

Song & Artist: Rebel Girl - Bikini Kill


VPR: All


Comments:


“Rebel Girl” is a lot of fun for me. The dynamic between the two sets of characters perks of being an alien has chosen to focus on is adorable - the “OMG I admire you so much I really want to be your friend… Oops maybe this is actually a crush” angle is so perfect and super relatable for me. These kids are just so cute, and I love how much their adoration for each other shines through in the editing and scene selection.

It’s been a while now since I watched Kill La Kill (and I haven’t watched Flip Flappers - shame on me) and “Rebel Girl” has made me fall in love with Mako’s character all over again. 




46


Video title: IT GETS WORSE

Editor: allegorier

Anime: Revolutionary Girl Utena

Song & Artist: It Gets Worse - Mindless Self Indulgence


VPR: All (major flashing, major red)


Comments:


The Utena fandom has been creating some of the most exemplary AMVs during the past couple of years. The depths to which they love this show and the themes and emotions they are able to draw out with their editing is astounding. I would say it's comparable to how Evangelion has been traditionally in AMV spaces - it's somewhat known that people can and will match Evangelion with absolutely anything and inevitably no matter how bizarre or strange the idea is, it will work because Evangelion is just that versatile. Utena now seems to occupy a similar space. Even saying all that I never expected to see a Utena video with Mindless Self Indulgence in this day and age - it was for sure a pleasant surprise.

allegorier doesn’t shy away from all of the sharp edges that arise from this pairing, and indeed seems to bask in the chaos and psychological drama unfolding, sometimes even tipping over into the absurd. 

According to the video description, allegorier made “IT GETS WORSE” using their mobile phone, which considering all the moments of exacting sync, is truly commendable. I know people do edit amazing things via mobile these days, but watching this video, and trying to imagine how on earth allegorier managed to achieve this outcome on such a tiny screen, utterly blows my mind. 




45


Video title: Hyperactive

Editor: CTOAFN

Anime: Neon Genesis Evangelion, FLCL

Song & Artist: Hyperactive - Thomas Dolby


VPR: All


Comments:


“Hyperactive” gets a giggle out of me each time I watch it - there's some slightly blunt and absurd humour in reference to these anime throughout, which CTOAFN adds to with their blending of the two anime in unusual and slightly bizarre ways, resulting in one of the more inexplicably stimulating AMVs I watched this year 

Evangelion and FLCL are not exactly a classic pairing, but they do have a lot of commonalities and associations which are pulled into focus via CTOAFN’s ingenuity here. There’s no bombardment of images which might be typical in a video with this kind of energy, there's simply a lot of tongue in cheek sync combined with clever bits of editing which you’ll most likely need to watch more than once in order to catch the joke. 




44


Video title: Billy Not Really

Editor: Abrogate Need

Anime: Zashikiro, Horizon Blue

Song & Artist: Billy Not Really - Death Grips


VPR: Major all

CW: Violence, blood, gore, disturbing imagery


Comments:


“Billy Not Really” is the type of video I enjoy primarily for the sensory assault. Abrogate Need (also known by many other pseudonyms) is a master of creating these types of videos, carefully curating the onslaught of audio and visual information to hypnotic effect. A lot of the content in “Billy Not Really” is violent and disturbing, and yet endlessly mesmerising and slightly rapturous in spite of this. 

The multi syncing using the background widescreen and foreground standard definition images is a skillful touch in ensuring the video is constantly moving and attached intrinsically to the music. 




43


Video title: Sk8 \\ Not str8

Editor: wondeer

Anime: Sk8 the Infinity

Song & Artist: Want U Back - Cheryl Lloyd


VPR: Motion, light leaks, major peripherals (lots of speed lines + others), fades to black, flashes


 

Comments:


“Sk8 \\ Not str8” is just so much fun - it's happy, silly, and upbeat. And wondeer also creates a byplay where these boys are fighting over each other - which is honestly not that far off the actual narrative of the anime, so it works stupidly well. wondeer takes the concept to the next level by executing some of the most stunning match cuts I’ve seen using this anime yet and generally just applying a whole slew of excellent dynamic editing skill.  

I also haven’t heard anything by Cheryl Lloyd in ages, and had honestly forgotten her existence, so it was a neat surprise to see this combination. 




42


Video title: Suzume’s Roadtrip

Editor: Bauzi

Anime: Suzume, Weathering With You, Your Name, Children Who Chase Lost Voices

Song & Artist: Timesink - LORN


VPR: Major VHS overlay, flickering, motion


Comments:


I very nearly did not include “Suzume’s Roadtrip” on my main list as there's an argument to be made if it even falls under the categorisation of an AMV - yes there is certainly both Anime and Music here but the intent is not quite that of a Music Video. “Suzume's Roadtrip” is primarily an experiment in crafting an original narrative, and it does so brilliantly. 

Generally I have a hard time enjoying AMVs that include any type of external audio other than the song - whether that be audio snippets from the anime itself or added sound effects. I sometimes get misophonia for certain sounds and having added noises can become both distracting and uncomfortable for me (occasionally there are even songs I can't listen to). In “Suzume's Roadtrip” Bauzi has done an admirable job of balancing the audio mix so that the sounds from the anime blend perfectly with the music track - indeed it feels like the music is actually part of the soundtrack for the anime rather than the other way around, that's how well he's mixed them.

The climax of the video is what really sold me on it. The concept is strong regardless, and the climax elevates the whole video to something truly special. 




41


Video title: Blood For The Blood God

Editor: julietxjulie

Anime: Neon Genesis Evangelion, End of Evangelion

Song & Artist: Blood For The Blood God (feat HEALTH) - GUNSHIP


VPR: Major All

CW: Violence, blood, gore, nudity, sexual imagery


Comments:


I came across julietxjulie via one of their other videos appearing in my YouTube recommendations (which I also enjoy a lot - their whole catalogue of videos is very strong), and shortly after I subscribed to them they released “Blood For The Blood God”. I was already familiar with this song being a fan of the band HEALTH and due to my conflicting feelings regarding the official music video for the song, was rather hoping someone would make an AMV with it. I was so excited when this popped up and julietxjulie has surpassed all of my expectations. 

Evangelion was possibly the obvious choice for this song, and my goodness does it match well - sometimes the obvious choices need to exist in the world. julietxjulie has used the music video version of the song which adds massively to the cohesion - there are so many extra sync opportunities from the voice-over and sound effects and julietxjulie doesn’t miss a single one. 

It’s a slight shame “Blood For The Blood God” is age restricted - it absolutely needs to be, but this has prevented the video from getting anywhere near the amount of views I believe it deserves.

katranat: (Default)

Hello everyone! 


Before I get started on my main top AMVs from 2024 posting schedule, this year I would like to first showcase some videos which I felt were ineligible for inclusion on my main list as well as some honourable mentions. 


The ineligible videos are ones I wouldn’t consider to be AMVs (in whatever my very loose definition of this is) and are other types of fan edits. I don’t often like fan videos that aren’t AMVs very much, but in 2024 I found myself enjoying a number of them quite a lot, so I do want to shout them out in some way. 


The honourable mentions are AMVs which I enjoyed, and still want to highlight in some way, but didn’t make it onto my main list. To clarify, they are not overflow from my top 50, they are simply videos which I picked out for some unique/neat reason from the entire pool of videos which didn’t make it into my top 50.


Last year when I made my list for 2023 I created my commentary by recording myself talking about the videos and then transcribing that recording as the comments. I wanted to do this again this year, and believe me I tried really, really hard, but for whatever reason I seem to have lost any ability to string a sentence together. So I am back to simply writing up comments and no doubt overthinking them far too much. 

The length of my writing varies wildly video to video. Sometimes there genuinely isn’t much I can or even need to add, so please don’t take the amount I’ve written as any kind of indication of my level of enjoyment - it doesn’t work that way.  


From tomorrow I hope to begin posting my usual top 50 list, posting 10 videos a day counting down from 50 until we reach the end (at least that’s the plan, I must confess as of writing this I have not completed my write ups for each video as I pivoted to this at the very last minute). I will also include a bit more information about my ranking process etc. in the introduction to that post tomorrow. 


For now, I hope you enjoy this eclectic selection of videos!



Ineligible Videos




Video title: Tear In Space

Editor: Lizard People Anonymous

Source: Scavengers Reign (animated TV show)

Song & Artist: Tear In Space (Airlock) - Glass Animals


VPR: Red emphasis scenes, fire, motion, particles/patterns, flashing/flickering, peripherals

CW: Body horror



Comments:

“Tear In Space” is the first I’ve come across Scavengers Reign - it honestly looks like it’s a pretty interesting show, which no doubt I will never get around to watching, but I would encourage anyone reading to check it out in my stead. 

I’m not quite sure if Lizard People Anonymous is following any kind of narrative from the show - for me the clips seem slightly random and disjointed, involving a lot of characters in a seemingly non-linear way. Regardless, Lizard People Anonymous successfully creates a magnetic atmosphere through the use of literal lyric sync, glimpses of a mysterious alien world, and emotionally impactful scenes. 

The singer of this song pronounces the word “Tear” as in; crying tears from your eyes. The written word “Tear” can also be pronounced as in; tearing (ripping) something apart. This most likely has nothing to do with the video, or the song, and is just a by-product of me reading the title frequently, however I associate the title with both of these meanings, and I find myself thinking that it very much suits the video. There are plenty of scenes including people crying at the corresponding lyrical moments, and as the video progresses there is also a sense that something has gone very wrong with whatever led these people into space and onto a new planet, leaving them fractured and torn asunder.  




Video title: Hannigram | Moon

Editor: perks of being an alien

Source: Hannibal (TV show)

Song & Artist: Moon - Devin Townsend


VPR: Nature shots of water/ice which could be particles/patterns, fades to black, peripherals, a swirl effect at 03:09 - 03:15

CW: Blood, gore, dismembered bodies



Comments:


I still don’t quite understand why I enjoy “Hannigram | Moon” as much as I do. There’s nothing appealing for me here from a source perspective. I have not watched this TV show and while I am peripherally aware of the ship of Hannibal Lecter and Will Graham due to being in fanfiction spaces, I have no attachment to the pairing and am uninterested in exploring the fandom. 

Possibly what keeps bringing me back to “Hannigram | Moon”is that perks of being an alien has come at it from an utterly unusual angle. This is undoubtedly a video about these two characters, however there’s hardly any actual interaction shown between them - instead we are treated to scenes of nature, haunting supernatural imagery and occasional disturbing clips for the majority of the video runtime. Heck, one of the main characters doesn’t even have any screentime until halfway through the video! All of this leads me to believe that there is something greater than the physical hinted at by perks of being an alien - the whole dynamic being shown here is steeped in metaphor that I don’t quite have the understanding of, where these two characters have an effect on each other that transcends ordinary boundaries.




Video title: MEGAN - INSIDE

Editor: Gemma Lemon MV

Source: Swallow (2019 movie)

Song & Artist: Inside (feat. Carla Landy) - Megan


VPR: Quick cuts, red emphasis scenes, distortion effects, blurs, camera shakes

CW: This video centers around the illness Pica, which involves swallowing objects not fit for consumption - the depiction in this video is distressing.
Other warnings: Pregnancy (and probable miscarriage), medical scenes, blood, gore.
There are possibly more warnings I’ve missed. This video is generally very heavy.   



Comments:

I’ve occasionally come across videos which are a physically uncomfortable experience to watch - “INSIDE” causes me to reach whole new levels of discomfort by making my throat emphatically tighten up and feel like I’ve swallowed something wrong. I applaud Gemma Lemon for being able to prompt such a potent reaction like this with her editing. 

I find the choice of song super fascinating - the lyrics are romantic, if slightly obsessive, and Gemma Lemon takes the words literally, giving the backdrop for this woman’s escapism into her illness a highly intimate feel. The “romance” in this case is the relationship the woman has with her illness, showing it simultaneously as the height of ecstasy and also the most awful compulsion, eventually spiraling out of control.  




Video title: Pháo - 2 Phút Hơn (KAIZ Remix)

Editor: Gemma Lemon MV

Source: Black Swan (2010 movie)

Song & Artist: 2 Phút Hơn (KAIZ Remix) - Pháo


VPR: Major quick cuts, major motion, major flashing, strobing

CW: Self-harm, body horror, violence, blood



Comments:

I adore so much that this song became famous for a meme of Zero Two doing the “ME!ME!ME!” dance on TikTok which spread to actual real humans making videos of themselves doing the same dance, and then Gemma Lemon holds up a mirror to this whole craze by taking this song and creating a video profiling a dancer but in a Perfect Blue kind of way (I haven’t watched Black Swan, but this video definitely gives me that vibe). I don’t know if that’s what she intended when making this, but I do find it deeply ironically satisfying.

In general, I really love this song, and I am very grateful to be able to enjoy it alongside such accomplished visuals. The editing here is wonderful - there’s so much motion and drama, I find it utterly captivating.  




Video title: You Were There

Editor: Janken

Source: The Invisible Child (1980’s animated film)

Song & Artist: ICO OST - Michiru Ōshima & Pentagon


VPR: Film grain, fades to black, motion, particles/patterns



Comments:

Janken is continuously using captivating and unusual sources and “You Were There” is possibly the pinnacle of this phenomenon - using an animated film from the 1980’s which seemingly has no publicly available footage anywhere else. The music chosen is from the ICO video game soundtrack, which I love, and I myself have edited with in the past - it’s such a delight to hear and matches so well with the animation. The whole video is incredibly charming and somewhat wistful. This is one I wish I had more words for, but honestly it speaks for itself.  




Video title: Hymn of Eurydice

Editor: Seasaltmemories

Source: Xenoblade Chronicles 3 (video game)

Song & Artist: Jackrabbit - San Fermin


VPR: Motion, light leaks, fire, vignettes, fades, film wipe transitions 



Comments:

I know almost nothing about Xenoblade Chronicles, only that there are some elements from it included in Super Smash Brothers, so I genuinely have no idea who any of the characters are or what even is going on in “Hymn Of Eurydice”. Despite this, “Hymn Of Eurydice” was one of my favourite RICE 2024 contest entries from. Seasaltmemories grabbed me with the intensity of the scene selection and how fluidly dynamic the editing throughout the whole video is. Additionally the song is super pretty and I adore all the motion Seasaltmemories has matched with the singers voice - this type of sync is one of the most satisfying for me and the choruses are gloriously chock full of it.




Video title: Masters of the Craft

Editor: Bauzi

Source: Dave The Diver (video game)

Song & Artist: Weight of the World - Battletapes


VPR: Fades to black, motion, light leaks, flashes, particles/patterns, flickering, peripherals


Comments:


“Masters of the Craft” is another RICE 2024 entry I enjoyed a lot. This is not the type of video game I would ever think to see a music video for, and Bauzi takes advantage of the awesome pixel animation cut-scenes the game has to make an outrageously fun video. The over the top situations that seem to be part and parcel of running a sushi restaurant in the Dave The Diver universe, are matched wonderfully with the energy of the song. It's one of those videos where you think you finally reach the peak of ridiculousness, and then yet there’s always something unexpected around the corner. I’m pretty sure Bauzi has single-handedly sold several copies of this game off the back of this video - it certainly sold me on it and I’d even seen a handful of streamers playing it before I watched this the first time!




Video title: Did You Forget

Editor: Renegade Otter

Source: Wish (2023 movie)

Song & Artist: Meds - Placebo


VPR: light leaks, fire, patterns/particles



Comments:

My initial reaction when playing “Did You Forget” for the first time was “what on earth is this Placebo song doing with a Disney movie of all things?” and then it quickly became apparent that Renegade Otter has created what I believe to be the most terrifyingly effective character profile video ever made. I have seen numerous other AMVs set to this song, the majority of which tend to focus on general psychological drama and are occasionally character driven, but never before have I seen one which brings the meaning of the song into such devastatingly sharp focus like this. 

I have no context for this film, so I am taking everything Renegade Otter is doing here at face value - I don’t know exactly what prompts the change in this character or even if he was evil to begin with, but showing his greed for power and spiral into madness as a comparison for someone who is falling apart because they’re not taking their medication properly is honestly heart wrenching. This is punctuated by the quietly tense moments in the song where the lines “Baby, did you forget to take your meds?” happen, being matched with this man’s possible wife behaving pensively. This video has brought into sharp relief how horrifying the song actually is, obviously I was previously aware of the meaning and the lyrics but they’d never quite sunk in before. 

It’s possible that the intention of this video is comedic or tongue in cheek in some way - I however do not see it that way at all. I get such an all encompassing sense of dread whenever I watch it that really I have no idea how it could be anything other than 100% serious. There’s a big difference between “oh hey look, this person is going insane with power”, and “oh my god, my loved one has done a 180 degree personality shift into a horrible monster and I am utterly powerless to stop it”, and “Did You Forget” falls into the latter of these for me. 




Video title: Dreaming

Editor: lizardjj AMV

Source: Several shampoo/soap commercials (no, I am not making that up)

Song & Artist: Dreaming - Carrie Newcomer


VPR: Red emphasis scenes, minor motion, fades to black



Comments:

“Dreaming” is a F/F shipping video creating a fictional narrative using clips of the same two actresses who happen to keep appearing in the same commercials together. Yes - this concept broke my brain as well. lizardjj includes a link to a dreamwidth post giving more context about the commercials in the video description. It’s all kind of wild honestly and I’m not really equipped to talk much more about it. 

Suspending disbelief however, the video is super lovely and it’s completely convincing that these two are a couple and are living their best life together.

I find this entire endeavour serves as a reminder of what’s possible with a little imagination and the power of editing. 




Honourable Mentions



Video title: The Patriotism series

Editor: Paul Geromini

Source: Various

Song & Artist: Animal (feat. Jordan Powers & Bekah Novi) - Victone


VPR: All

CW: Violence, blood, gore, war scenes


Playlist: https://www.youtube.com/watch?v=skVirTvbGi4&list=PL6iO9oi4CgzxPwGjsw143EvZpxTF-1eqb 


Comments:


“Patriotism” is a series of 11 different AMVs created by Paul Geromini, for which I’m linking the playlist rather than the individual videos. Each video can be considered on its own merit, however together they all function as a fascinating art piece. Paul has written his own blog post with his thoughts regarding the work which I recommend you check out if the series is of any interest to you, he goes into some things I don’t touch on here. 


Paul uploaded these videos one by one in the run up to American Independence Day (which was an intriguing choice I don’t feel qualified to weigh in on considering the themes running through these videos, and also that I’m not American), culminating in the final video “Freedom” being released on the 5th of July.  


The biggest draw of the series for me is the fact that every single video (excepting the last one, but we’ll get to that in a moment) uses the exact same song - Animal, by Vicetone. There’s a slight taboo in the AMV world regarding re-use of the same songs, people used to shy away from using the same songs other editors had used for their videos, and while that’s definitely relaxed these days, most editors would still never consider creating their own AMVs with the same song twice let alone 11 times. There’s a level of prestige associated with being unique within this hobby and it’s something a lot of us strive for (including myself) - which to be clear, is absolutely not a bad thing, but it has occasionally given rise to unkind attitudes towards repeated ideas and common sources.

So, Paul has done the unthinkable and gone completely against the grain - but why?

Well, the answer lies in the fabric of what each of these videos are, and I believe it’s rather ingenious. You see, not only is the song the same, the videos themselves are fundamentally the same as well. Sure they all use wildly distinct sources and Paul has even varied the editing style in each, focusing on different moments of sync to suit the feel of each source, but at their heart they all tell the exact same story. Well then, why are several variations of the same video interesting? Because the repetitive nature is the point here. War never changes. Whether you’re in spaceships. Or fighting aliens. Or hurting innocents.   

The song is a typical EDM song about losing your inhibitions, designed to help people let loose when they go to a dance club. Paul has opted for an alternative interpretation of being forced to lose your humanity in the pursuit of the greater good - showing complete obedience to the powers that be and perpetrating acts of senseless violence to achieve this. It’s a theme that’s repeated, over and over again, in each and every video, creating uncomfortable parallels with the real world. 


The first 9 videos are the main course of the series, and I would recommend watching them in order - the choice in progression is quite interesting and there are some fascinating connections between each video shown. The 10th video is all of the first 9 playing simultaneously in a grid - which really brings to bear the similarities between all of these, while also making it easier to appreciate their differences.  

The final and 11th video “Freedom” is slightly different - it uses an instrumental version of the song, while also incorporating the audio of a few famous speeches regarding freedom. This final video focuses on fighting back against oppressive forces and regaining control. 

Overall I feel “Patriotism” has a hugely important message and I do think it’s worth everyone’s time to watch through it at least once. 




Video title: Kyuubi - Catchatronic

Editor: VandiMares

Source: Various Madoka franchise

Song & Artist: Catchatronic - Pogo


VPR: All



Comments:

“Kyuubi - Catchatronic” is one of the more unique videos I think I’m featuring this year. VandiMares has gotten so many different Madoka sources and put this together in a way where it seems like Kyuubi from Madoka Magica is collecting all of the magical girls in a twisted parody of a Pokemon trainer - which is such a neat and effective idea. Madoka herself is in the role of Pikachu in the video, which is very fitting somehow. The whole AMV is also full of a lot of dynamic editing, match cuts, and “blink and you’ll miss it” interesting sync moments. Someone who’s into Madoka will probably know a lot more of what’s actually going on in this video - I mainly enjoy it for the funsies of Kyuubi being a Pokemon trainer, and for also being a really solid video that's a lot of fun to watch. Seeing all of these fun designs of magical girls that I’ve never seen before is additionally a bit of a novelty - VandiMares got visuals from a video game and all sorts that I had no idea existed.       




Video title: I Cleanse in the River (For Somebody Else)

Editor: perks of being an alien

Source: A Silent Voice

Song & Artist: The River - Imagine Dragons


VPR: Ripple shapes, fades to black, light leaks, fades to white, motion, blurs 



Comments:

perks of being an alien has gotten to me with a rare A Silent Voice AMV that I actually enjoy. I’m probably one of the only people who watched the A Silent Voice movie, and didn’t really like it - that’s probably heresy or whatever to a majority of anime fans, but yeah not my thing. In any case, a lot of the aspects I dislike about A Silent Voice as a movie often come through in the AMVs that people make with it. Something about “I Cleanse in the River” feels very different from this to me - possibly because generally it’s a very hopeful video. There's obviously a lot of drama and sadness happening here but there’s an undercurrent of happiness which is slightly strange for a Silent Voice video - in my experience they’re mostly angst fests, maybe I’m just watching the wrong ones. There’s a weirdly uplifting feeling even though the drama of the movie is still playing out through the course of the AMV - it’s an AMV that makes me happy instead of depressed, which as I reiterate is a bit rare for this particular anime.

Ultimately it’s very much focused on the whole idea of no matter what happens you can get over everything which is a rather lovely sentiment. 




Video title: Honj

Editor: Extraterrestrial Elephant

Source: Heike Monogatari

Song & Artist: Honj - Ryuichi Sakamoto


VPR: Fire, motion, blurs, light leaks, flashes, ripples

CW: Blood, violence


 

Comments:


I don’t feel there’s much I can say about a video like Honj that it doesn’t already express adequately itself. Heike Monogatari is a slightly underrepresented anime within AMVs at the moment, which is a shame because it's gosh darn beautiful and Extraterrestrial Elephant puts the beauty on exquisite display here with some creative, metaphorical editing and excellent scene selection.




Video title: Waterloo Sunset

Editor: Takara

Source: Dear Brother

Song & Artist: Waterloo Sunset - The Kinks


VPR: Light leaks, bokeh, motion, fades to black, peripherals, quick cuts


Comments:


I am semi aware that Dear Brother is aesthetic AF, but for Takara to have found so many scenes that match all of the specific lyrics of this song, is kinda wild. There’s so many clips of sparkly oceans with sunsets and trains and magical cityscapes. “Waterloo Sunset”is an exercise in some of the most gorgeous stuff I’ve seen in a long time. It was really inspired for Takara to even think of this pairing - it’s the kind of song you don’t often hear in AMVs these days, though some editors do enjoy looking back with older sources and older songs, but they’re rare, so this is really a treat! It’s both visually beautiful and it has such a warm lovely feeling which caps the whole thing off nicely.            



Video title: Migratory Star

Editor: antiquated amvs

Source: Diebuster

Song & Artist: Natalie - Sayonara Ponytail


VPR: All (major flashing)


Comments:


“Migratory Star” is one of a handful of AMVs that popped in 2024 as a celebration of the anime Diebuster turning 20 years old. There's so much in “Migratory Star” for fans of the series to enjoy, and even if you're unfamiliar with it, there are a lot of super charming moments throughout the video and it's such a delight to watch. It’s evident Antiquated amvs has put a lot of heart into creating this - their love of the source shines through in every moment resulting in a truly beautiful tribute. 




Video title: gf is better

Editor: cado

Source: The Tatami Galaxy

Song & Artist: gf is better <3 - N22T


VPR: Major shapes/patterns, quick cuts, flickering, flashes, motion, peripherals, light leaks


Comments:


I adore the energy in “gf is better” - cado’s pacing and sync and is intensely satisfying, matching the frenetic music perfectly. It’s also a somewhat unique video in that it focuses on the anxiety chasing romance and potential failures. From my understanding this is a theme The Tatami Galaxy focuses on, but it’s not one that comes across much (at least to me) in other AMVs I’ve seen using it - and in “gf is better” it’s super unambiguous which I appreciate.  




Video title: Fish

Editor: Jitterjay

Source: Ef: A Tale of Memories

Song & Artist: Fish - Daniel Johnson


VPR: Light leaks, high contrast, quick cuts, motion, fades to black



Comments:


Ef: A Tale of Memories, was a long time ago, one of the in vogue anime to edit with. It's a lot less common to see it these days, so it does prompt a lot of nostalgia around the hobby for me. “Fish” is a video which uses a song I'd never consider for this anime - it's harsh, almost to the point of being unpleasant to listen to (at least to my ears), which is in stark contrast to the beautiful visuals of the anime and the soft love story that's playing out here. “Fish” feels completely different to any other AMV I've seen with this anime and I love Jitterjay for that.


katranat: (Default)
Hey everyone!

This time last year I was deep into my monthly posting of “AMV Roundup” a series I wrote to try and highlight obscure AMVs. For various reasons I’ve decided not to do that again this year, so instead it seems I’m reverting back to posting about individual AMVs as and when I feel strongly enough about them to write something. So that’s what today’s post is - there is an AMV I’ve recently watched and want to share it with the world and gush about it. Read more... )
katranat: (Default)

I'm not sure I'm the best person to be talking about this - for all my obsessiveness with this hobby I do still have massive gaps in my knowledge and oversight. It's also a topic I'm pretty sure gets talked about relatively frequently in AMV spaces in some form or another, and generally I tend not to engage with it as perceived AMV quality isn't something that usually bothers me. In fact I often enjoy many videos that contain typically agreed upon “not good” features.


This time though, it really got to me for some reason so I'm throwing these thoughts out into the world. Sorry if this rambles a bit.

Read more... )
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Quick FYI before we get into it. I didn’t realise before starting this that YouTube has a daily upload limit for videos, which I can’t get rid of without giving Google far more personal information than I’m comfortable with, so a handful of my video comments from now on may have google drive links rather than YouTube links. I will be changing those over once I’m able to upload everything to YouTube.



30

Read more... )
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Hello everyone, and welcome to my top 50 AMVs of 2023!


I’ve made quite a few changes in how I’m doing this end of year process this time around.

Read more... )
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Hello everyone, welcome to AMV roundup number Eight!


This will be another post where my comments are fairly brief as I’ve been busy working on other things, but I did want to get this out to finish off this series for the year. I can hardly believe I’ve now completed 9 of these roundup posts (including the Fathers Day one), with 10 videos in each, making for a whopping 90 videos throughout 2023! I hope you all have enjoyed reading these and have hopefully found some new videos to watch. I will not be posting a roundup next month as I have plans to post my top AMVs of 2023 at the beginning of January, which will no doubt be more than enough AMVs for everyone for a while.


Here are the final 10 videos for you this year!

Read more... )
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Hello everyone, welcome to AMV roundup number Seven! 


AMV roundup is where I’m highlighting any new AMVs I’ve come across in the past month, as well as showcasing any older videos I may find that I’d never encountered before.
The videos featured here will mostly be AMVs that aren’t already well known in the AMV community spaces I’m familiar with (unless I particularly want to gush about them for some reason). So hopefully a lot of these videos will be new to anyone reading. 


I have another 10 videos for you this month, this time things have been shaken up a little bit. During the past month most of the newer videos which have crossed my eyes have come from well known members of the AMV community/AMV events, and as I prefer to highlight more unknown/underrated videos, the majority here are older uploads this time. 

Additionally, I’ve decided to include *gasp* a live action video in the lineup - I know I usually stick to AMVs, but my goodness do I love it, so it’s here.


I hope y’all find something to enjoy!



New for 2023


Video title: Taking Time Bomb

Editor: Stindu Wardo

Anime: Attack on Titan

Song & Artist: Time Only Takes - Demon Hunter


Comments: This is a really clever use of only opening sequences by Stindu Wardo here. “Taking Time Bomb” flows so well, and never does it feel like there were any footage limitations.      


VPR: All

CW: Violence, gore




Video title: simple and clean

Editor: magicalliz

Anime: Revolutionary Girl Utena

Song & Artist: Simple And Clean (Planitb Remix) - Utada Hikaru


Comments: I think magicalliz has fully broken me out of my Utena funk with “simple and clean”. I have been able to enjoy Utena AMVs again recently, but “simple and clean” is the first I’ve actively adored in well over a year. The version of the song used is one I’d not heard before, and magicalliz has synced so perfectly with all the different sounds, it’s a magnificent harmony of the music and visuals. 


VPR: All




Video title: Drifting, Falling

Editor: firegold763

Anime: Cowboy Bebop

Song & Artist: Drigint, Falling - The Ocean Blue


Comments:  “Drifting, Falling” is a Faye character profile AMV which doesn’t really feel like any other character profile video I’ve seen before. It’s oddly light and breezy, not especially following the story of the anime, but hitting enough of the notes so that we do get an idea of what makes up Faye’s character. The saxophone sync is also super satisfying.    


VPR: Flashes to white, minor motion & particles, VHS lines 




Video title: Kill V. Maim

Editor: Gemma Lemon AMV

Anime Movie: Spring Breakers

Song & Artist: Kill V. Maim - Grimes


Comments: One of my favourite AMV creators has added a separate account specifically for their music videos, with their main channel now being focused on their original animations. This was a great treat for me, because all their AMVs are now in one place and were uploaded in quick succession, so I had a wonderful time going and watching through them all again, adding them to playlists etc. Gemma Lemon has also made a number of live action fan videos, a few of which I decided to watch, and “Kill V. Maim” instantly got me hooked. I’ve not seen the film Spring Breakers, and I have a feeling after watching “Kill V. Maim”, I don’t really need to, as Gemma Lemon has quite succinctly distilled the chaos into this delightfully maniacal video.  

      

VPR: All (Major motion, Major flashing & strobing)

CW: Violence, nudity, sexual content





Older videos


Videos which premiered before 2023 that I’ve only recently found and have been enjoying. 


Video title: lain amv "komm süsser tod" (organ cover, reupload)

Editor: heris runs

Anime: Serial Experiments Lain

Song & Artist: komm süsser tod - music by Antonius Tertius, vocals by heris runs


Comments: Throughout the history of AMVs being uploaded to YouTube, there has always been the threat of copyright strikes resulting in the removal of these videos. Copyright strikes usually come in two forms; one type is for the anime content in the video, and the other for music. Music strikes are more common, and over the years, creators have developed many varied and interesting ways to try and get around these so that their videos will be able to stay available for people to watch. 

“komm süsser tod” was a video I originally collected a while ago in my Long AMVs YouTube playlist. I was going through the playlist earlier this month and I noticed a video had been removed, so I used archive.org’s wayback machine to try and find what it was. Thankfully the page had been preserved and I could see the video was "komm süsser tod". I went to the creators channel and found that they had re-uploaded it - hooray! I was so happy it hadn’t disappeared forever. The new audio wasn’t unexpected considering the video had been taken down due to a copyright strike, but the type of new audio is certainly unprecedented. 

Sure, people make AMVs to music they created themselves all the time, but never have I previously come across someone just straight up singing their own cover of a song to get around a copyright strike (with the assistance of another YouTuber’s organ track). It’s such an audacious move. Hats off to you heris runs, you courageous beautiful human you.  


VPR: High contrast scenes, fades to white, fades to black, flickering, patterns




Video title: Breathe Again

Editor: LEONHART

Anime: Re:Zero

Song & Artist: Thank You Mario But Our Princess Is In Another Castle - The Mountain Goats & Kaki King


Comments: I found “Breathe Again” while searching for The Mountain Goats AMVs for my previous post last month. I don’t personally have much fondness for either The Mountain Goats or Re:Zero, but this video slaps, and it’s living in relative obscurity when there’s several people out there who will no doubt appreciate it.        


VPR: All

CW: Violence




Video title: Ghost in the Shell x Crystal Castles - XXZXCUZX Me [AMV]

Editor: Paclac

Anime: Ghost in the Shell

Song & Artist: XXZXCUZX Me - Crystal Castles


Comments: This is one of those AMVs where I don’t completely vibe with the editing decisions, but it’s so gosh darn creative I can’t help but admire it. Honestly all of Paclac’s videos are worth watching simply for the artistic vision involved. Their videos also tend to contain a fair amount of datamoshing as well if you’re into that.       


VPR: Major All

CW: Violence, gore, nudity


 


Video title: Mercury

Editor: Kathleen Winter

Anime: Neon Genesis Evangelion 

Song & Artist: Mercury - Bloc Party


Comments: I was under the impression that I had searched out Bloc Party AMVs before, but I obviously must not have done a good job of it at the time, as I’d completely missed out on this absolutely glorious video. “Mercury” is stunning, using the full sync capacity of the Evangelion Rebuilds to wondrous effect. There’s just so much going on here, I really cannot applaud Kathleen Winter enough.         


VPR: Major All 

CW: Violence, gore




Video title: A Mermaid’s Hymn

Editor: MelyoraMel

Anime: Bubble

Song & Artist: Hymn for The Missing (Guillotine Remix) - RED


Comments: “A Mermaid’s Hymn” is the first Bubble AMV I think I’ve seen which has a definite romantic overtone. It’s very sweet, and lovely to watch.       


VPR: All (major motion & particles)




Video title: Out of touch

Editor: Dan Fingerman

Anime: Haibane Renmei

Song & Artist: Out of touch - Dan Fingerman


Comments: “Out of touch” is a video which the creator has made for one of their own songs. It’s always super neat to see what type of visuals music creators choose for their music, and in this case I really appreciate that they used Haibane Renmei.          


VPR: Minor motion, jump cuts, minor brightness & contrast, water shinies @01:52 


katranat: (Default)

Over the past few years while I’ve been cultivating a deeper interest into this hobby, I’ve noticed a pattern among Utena AMVs - there seems to be an unusually high amount created with songs by the band The Mountain Goats. This isn’t something that happened every single time I came across a Utena AMV, but it did happen frequently enough that I started thinking to myself “why are there so many of these, and why does this combination keep popping up?”. I decided to try and find the answer to these questions.  


I began by collecting as many Mountain Goats AMVs as I could - shout out to the three people on YouTube who have created Mountain Goats AMV playlists (Lupin X, mr. brightside and antediluvian), without these I would not have found half of these videos. I consolidated everything that I considered to be an AMV (there are plenty of other types of fanfids made with Mountain Goats music which I disregarded) into a playlist of my own. I then pulled the info from this playlist into a spreadsheet via CrackTheSky’s wonderful AMVTracker, and I started crunching the numbers. 


The first thing I wanted to know was how many AMVs there were which used Utena as a source, and what proportion of those make up the entirety of the Mountain Goats collection of AMVs on YouTube:  


Count of total videos

83

Count of Revolutionary Girl Utena

34


When I began this exercise, based on the amount I was casually coming across, I was anticipating maybe around 20ish total Utena AMVs. Even I wasn’t ready for the amount to be a whopping 34 videos - making up over 40% of all the Mountain Goats AMVs currently on YouTube. What I’d initially considered to be a potentially interesting coincidence instead seems to be an outright trend. Are editors really skewing so strongly in favour of pairing Utena specifically with this music artist? I decided to check if there were any other source outliers. Here are the top 10 most used sources - after these all other sources only have a single instance of use:


video_footage

COUNTA of video_footage

Revolutionary Girl Utena

34

Neon Genesis Evangelion

7

Gundam

3

Madoka Magica

3

Bungou Stray Dogs

2

Death Note

2

Higurashi

2

My Hero Academia

2

Naruto

2

One Piece

2


Looking at the numbers in the table above, I feel I can safely say, yes, creators are skewing highly in favour of Utena here.

To make sure it’s not just a fluke, I decided to double check how many different editors were making these:


primary_editor_username

Revolutionary Girl Utena

al !

1

allegoriestrose

1

antediluvian

14

Bea Candy

1

Cecil Griffin

3

CitronGarde

1

dais

1

kendi3x

1

Kylee

1

lee

3

Moonlit Butterfly

1

municipalorrery

1

Numaix

1

rhvscore

1

Rowan Oake

2

Seasaltmemories

1


This muddies the waters slightly. On the one hand, there are 16 unique individuals who decided combining Utena and the Mountain Goats is a good idea. On the other hand, one of these people has made 14 of the 34 total videos. However, I don’t think this invalidates the notion that there are a high proportion of Utena videos. If we discount these from the pool, this leaves 20 Utena entries, which is still a considerable percentage of the total AMVs and 13 more than Evangelion has. 


Why does all of this even matter to me, you might ask. In a world where LinkinBall exists, why would a music artist being used over and over again with a particular anime be interesting? Especially as these are rookie numbers - if you search for the combination of Dragonball and Linkin Park on amv.org, there are 1538 results (Naruto and Linkin Park brings up 1459), and that’s just amv.org videos, I don’t even want to try searching those terms on YouTube. 

Personally I’m interested because these types of strong correlations between anime and music artists are a relic of the past, or so I thought. Long gone are the days when AMV editors were limited by what sources were available to them/what they were able to watch on TV, as well as the perfect storm of popularity coinciding for these anime and music artists. Fandom in general has spread a lot farther these days, with so much easy access to media leading people to create more unique works. There are always things which have surges in popularity for sure, but I doubt something as huge as LinkinBall will ever happen again. 

I think what makes this small pocket of Utena and Mountain Goats so unusual is the fact that neither of these things are what could be considered currently popular. Utena had its heyday in the late 90’s/early 00’s and as far as I can discern so did The Mountain Goats - and yet this is a fairly recent phenomena, with the first AMV of this combination being created in 2020. Making AMVs generally with Mountain Goats music is a more recent pursuit with the majority of all the videos premiering within the last 3 years:


release_date

COUNTA of video_footage

2009

1

2011

1

2012

1

2015

1

2016

1

2017

3

2018

4

2019

2

2020

3

2021

22

2022

26

2023

18


There must be something about this music which matches the aesthetic and themes of Utena, sparking artistic motivation in people. There’s certainly no shortage of music to pull from, The Mountain Goats have a monstrous catalogue, which is represented by 52 unique songs being used among these 83 videos. Heck, the Utena videos alone use 27 different songs, so it’s not like everyone here is making the same thing. 


The circle of people who are into the Utena fandom seem to be highly dedicated and very aware of any content being created for it, so I can’t rule out the possibility of some of these people seeing others’ work and it snowballing rather than each person independently having the idea of this combination. If indeed these creators were inspired by each other, then that’s extremely admirable and a testament to the strength of such a fringe fandom community. If these ideas sprouted out of the individual love for these sources in 16 separate cases, well that’s slightly astonishing.   

Either way it doesn’t really matter, but each of these possibilities is compelling to consider. In reality it’s most likely a mix of both options. 


I’m not sure I’ve come any closer to answering my initial questions about this phenomenon, however I’m glad to be vindicated regarding my suspicions that this pairing was appearing unusually often, and no I wasn’t going crazy imagining it. I suspect if I truly want to understand the reasoning behind why several people enjoy The Mountain Goats music with Utena, I’ll have to, ya know, actually ask one of them. I doubt I will ever be able to appreciate these fully otherwise - I still have not watched all of Utena and The Mountain Goats music is not really my cup of tea (they’re certainly musically engaging, but not the kind of thing I can really listen to for a prolonged period of time), so any nuances regarding the story/lyrics are completely lost on me.  


I do have to wonder if there are any other anime/music artist pairings out there that are extraordinarily high, but are just not obvious because they’re lost on the noise of all the videos that exist these days. I wouldn’t have noticed this Utena thing if YouTube didn’t have a habit of shoving every single Utena AMV ever made at me every chance it gets. I’m not sure how I’d ever even start looking for these if they did exist without some kind of precedent making itself known somehow. 


We’ve reached the end of my thoughts and findings on this subject, I hope you found it somewhat interesting. For those of you who are so inclined, here’s the playlist I put together of all the AMVs, enjoy: https://www.youtube.com/playlist?list=PLfarsCz7pWa3YwZtf5bYwWh_YN_DcUMq2  

katranat: (Default)

Hello everyone, welcome to AMV roundup number six!


AMV roundup is where I’m highlighting any new AMVs I’ve come across in the past month, as well as showcasing any older videos I may find that I’d never encountered before.
The videos featured here will mostly be AMVs that aren’t already well known in the AMV community spaces I’m familiar with (unless I particularly want to gush about them for some reason). So hopefully a lot of these videos will be new to anyone reading.


Here are another 10 videos for you this month, I hope you find something to enjoy!

Read more... )
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Hello everyone, welcome to AMV roundup number five!


AMV roundup is where I’m highlighting any new AMVs I’ve come across in the past month, as well as showcasing any older videos I may find that I’d never encountered before.
The videos featured here are mostly AMVs that aren’t already well known in the AMV community spaces I’m familiar with (unless I particularly want to gush about them for some reason). So hopefully a lot of these videos will be new to anyone reading.


A couple things of note - my comments are very paired down this month, I’ve been busy with other things and don’t have much brain left to write this. Also, why’s there so much Evangelion? Also also, what’s with so many people titling their videos with capital letters?


Anyway, here are another 10 videos for you this month, I hope you find something to enjoy!


Read more... )
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Hello everyone, welcome to AMV roundup number four!


AMV roundup is where I’m highlighting any new AMVs I’ve come across in the past month, as well as showcasing any older videos I may find that I’d never encountered before.
The videos featured here are mostly AMVs that aren’t already well known in the AMV community spaces I’m familiar with (unless I particularly want to gush about them for some reason). So hopefully a lot of these videos will be new to anyone reading.


Here are another 10 videos for you this month, I hope you find something to enjoy!


Read more... )
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